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dreams, ghosts, mesmeric phenomena, &c. If any one will but read the first half dozen pages, we will vouch for it he will not neglect the rest of the volume: it is one of the best written books on one of the most curious range of topics that could engage the pen of a writer, or the attention of a reader. It is, in fact, one of the most curious volumes ever perused, upon a series of the most singular subjects, and, in this new and neat form, it will command a vast number of readers.--_Sunday Times._ "The Philosophy of Mystery" is an exceedingly able work; far better, we think, than the "Natural Magic" of Brewster, a book of identical purpose, carried out in a totally different way. The "Natural Magic" is the more ratiocinative, Mr. Dendy's essay the more poetical, the more imaginative, and to us the more interesting.--_National Press._ IV. The Life of Mozart: INCLUDING HIS CORRESPONDENCE. BY EDWARD HOLMES, AUTHOR OF "A RAMBLE AMONG THE MUSICIANS Of GERMANY," &c. 12mo, Muslin, extra gilt, 50 cents. It is written in a beautiful, narrative style, and can not but be every where acceptable. To all who appreciate the extraordinary genius of Mozart, the delicate structure of his mind, the incidents of his life, and his romantic death, this volume will indeed be a treasure.--_Boston Gazette_. It contains, in addition to much of his interesting correspondence, and other papers, a detailed account of his life, adventures, and rise as an artist, and a discriminating sketch of his character, the peculiarities of which are happily illustrated by anecdotes. Many things of him, unknown even to his admirers, are here given to the world, and his biographer, fully appreciating the artist, has yet, not like a flatterer, but with true independence, spoken candidly of the faults of the man.--_Merchant's Magazine_. Of this far-famed life of Mozart it is scarcely necessary for us to say a word; the foreign reviews have been so unanimous in their encomiums, that we suppose few will be found insensible to the strong inducement of its perusal, especially as the work may be obtained at the trifling cost of half a dollar, and in so beautiful a guise. We have looked into the biography but slightly, yet find it redolent with interest, and fully sustaining the high estimate placed upon the work by the _London Athenaeum_ and _Blackwood_. If the Harpers continue to fill their new library with sterling works like the p
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