FREE BOOKS

Author's List




PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  
dful of golden sentences--things wisely thought and finely said by persons having authority--and spin them into an exquisite prelection; so that his work with all the finish of art retains a something of the freshness of those elemental truths on which it was his humour to dilate. He was, that is to say, an artist in ethics as in speech, in culture as in ambition. 'Il est donne,' says Sainte-Beuve, 'de nos jours, a un bien petit nombre, meme parmi les plus delicats et ceux qui les apprecient le mieux, de recueillir, d'ordonner sa vie selon ses admirations et selon ses gouts, avec suite, avec noblesse.' That is true enough; but Arnold was one of the few, and might 'se vanter d'etre reste fidele a soi-meme, a son premier et a son plus beau passe.' He was always a man of culture in the good sense of the word; he had many interests in life and art, and his interests were sound and liberal; he was a good critic of both morals and measures, both of society and of literature, because he was commonly at the pains of understanding his matter before he began to speak about it. It is therefore not surprising that the part he played was one of considerable importance or that his influence was healthy in the main. He was neither prophet nor pedagogue but a critic pure and simple. Too well read to be violent, too nice in his discernment to be led astray beyond recovery in any quest after strange gods, he told the age its faults and suggested such remedies as the study of great men's work had suggested to him. If his effect was little that was not his fault. He returned to the charge with imperturbable good temper, and repeated his remarks--which are often exasperating in effect--with a mixture of mischievousness and charm, of superciliousness and sagacity, and a serene dexterity of phrase, unique in modern letters. HOMER AND THEOCRITUS The Odyssey. I think that of all recent books the two that have pleased me best and longest are those delightful renderings into English prose of the Greek of Homer and Theocritus, which we owe, the one to Messrs. Henry Butcher and Andrew Lang and the other to Mr. Lang's unaided genius. To read this _Odyssey_ of theirs is to have a breath of the clear, serene airs that blew through the antique Hellas; to catch a glimpse of the large, new morning light that bathes the seas and highlands of the young heroic world. In a space of shining and fragrant clarity you have a vision of ma
PREV.   NEXT  
|<   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73  
74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   >>   >|  



Top keywords:
critic
 
effect
 
culture
 

suggested

 

serene

 
Odyssey
 
interests
 

modern

 

mischievousness

 

letters


remarks

 
unique
 

phrase

 

superciliousness

 
sagacity
 

dexterity

 

exasperating

 

mixture

 

strange

 

recovery


violent

 

discernment

 

astray

 

returned

 

charge

 
temper
 
imperturbable
 

faults

 
remedies
 

repeated


Hellas

 

glimpse

 

morning

 

antique

 

breath

 
bathes
 

fragrant

 

shining

 

clarity

 

vision


highlands

 

heroic

 
pleased
 

longest

 

renderings

 
delightful
 
THEOCRITUS
 

recent

 

English

 
Andrew