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arse line is to be found in Turgeneff's work; not a single glaring hue. The objects depicted do not immediately start forth before you, in full proportions, but are gradually depicted in a mass of small details with all the most delicate shades. Turgeneff is most renowned artistically for the landscapes which are scattered through his works, and principally portray the nature of his native locality, central Russia. Equally famous, and executed with no less mastery and art, are his portrayal and analysis of the various vicissitudes of the tender passion, and in this respect, he was regarded as a connoisseur of the feminine heart. A special epithet, "the bard of love," was often applied to him. Along with a series of masculine types, Turgeneff's works present a whole gallery of Russian women of the '50's and '60's, portrayed in a matchless manner with the touch of absolute genius. And it is a fact worth noting that in his works, as in those of all the "authors of the '40's," the women stand immeasurably higher than the men. The heroines are frequently set forth in all their moral grandeur, as though with the express intention of overshadowing the insignificance of the heroes who are placed beside them. Towards the beginning of the '60's, the germs of pessimism began to make their appearance in Turgeneff's work, and its final expression came in "Poems in Prose." The source of this pessimism must be sought in his whole past, beginning with the impressions of his childhood, and the disintegrating influence of the reaction of the '50's, when the nation's hopes of various reforms seemed to have been blighted, and ending with a whole mass of experiences of life and the literary failures and annoyances which he underwent during the second half of his life. And in this connection it must not be forgotten that the very spirit of analysis and skepticism wherewith the school of writers of the '40's is imbued, leads straight to pessimism, like any other sort of skepticism. The following specimen, from "The Notes of a Sportsman," is selected chiefly for its comparative brevity: "THE WOLF." I was driving from the chase one evening alone in a racing gig.[23] I was about eight versts from my house; my good mare was stepping briskly along the dusty road, snorting and twitching her ears from time to time; my weary dog never quitted the hind wheels, as though he were tied there. A thunderstorm was comin
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