ander, 196.
Harris, Joel Chandler, 335, 370.
Hay, John, 59, 124, 261, 362.
Hemans, Felicia, 151.
Henry, Daniel, 12, 130.
Henry, Patrick, 193, 292.
Hoar, George F., 309.
Holmes, Oliver W., 145.
Howe, Julia Ward, 225.
Hugo, Victor, 345, 400.
Hunt, Leigh, 57.
Ingalls, John J., 235.
Ingelow, Jean, 47, 101.
Ingersoll, Robert G., 279, 315.
Irving, Washington, 449.
Jenkins, Lucy Dean, 366.
Jerome, Jerome K., 354.
Jerrold, Blanchard, 468.
King, Ben F., 357, 379.
Kingsley, Charles, 102.
Kipling, Rudyard, 155, 368.
Kossuth, Louis, 250, 313.
Le Fanu, Joseph S., 113.
Lincoln, Abraham, 206, 241, 305, 307.
Lippard, George, 98.
Lodge, Henry Cabot, 226.
Longfellow, H. W., 8, 61.
Lover, Samuel, 364.
Lowell, James Russell, 152.
Lytton, Edward Bulwer, 25, 80.
Lytton, Robert Bulwer, 8, 423, 441.
McKinley, William, 251.
Mead, Edwin D., 294, 299, 318.
Mitchell, Agnes E., 391.
Moore, Thomas, 41.
Nadaud, Gustav, 13.
Phelps, Elizabeth Stuart, 330.
Phillips, Charles, 321.
Phillips, Wendell, 202, 239, 290, 296, 297.
Pierce, Etta W., 133.
Poe, Edgar Allan, 426.
Quincy, Josiah, 284.
Richards, Laura E., 414.
Riley, James Whitcomb, 323, 324, 359.
Robbins, R. D. C., 118.
Roosevelt, Theodore, 264, 280.
Savonarola, Girolamo, 228.
Saxe, John G., 384.
Scott, Walter, 123.
Sheridan, Richard Brinsley, 454.
Sienkiewicz, Henryk, 1.
Smith, F. Hopkinson, 375.
Stephens, Alexander H., 243.
Streeter, R. M., 387.
Sumner, Charles, 212, 248.
Taylor, Benjamin F., 373.
Tennyson, Alfred, Lord, 32, 67, 94, 146.
Thompson, Maurice, 138.
Togo, Admiral Heihaichiro, 242, 271.
Van Dyke, Henry, 72.
Verne, Jules, 408.
Weatherly, F. E., 328.
Webster, Daniel, 185, 188, 191, 199.
Whitman, Walt, 88.
Whittier, John G., 144, 149.
Wilcox, Ella Wheeler, 117.
Williams, Henry L., 437.
ANNOUNCEMENTS
BOOKS IN PUBLIC SPEAKING
By ROBERT I. FULTON, late of Ohio Wesleyan University, and THOMAS C.
TRUEBLOOD, University of Michigan
ESSENTIALS OF PUBLIC SPEAKING
(Second Edition)
This book shows the relation of intellect, feeling, and gesture to the
elements of effective expression in oratorical and dramatic art. It
treats the elements of expression in their simplest and most natural
order, showing their application to the various sentiments and emotions,
and provides exercises in th
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