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ll pursued, along widely different paths, those illusive secrets of the human heart which had escaped the notice of earlier generations. But La Rochefoucauld reduced the desultory psychology of his predecessors to a system, so that for us the moralizing tendencies of the seventeenth century in France seem to have found their final expression less in the sob of Pascal's conscience than in the resigned ironic nonchalance of La Rochefoucauld, who, as Voltaire so admirably says, "dissolves every virtue in the passions which surround it." Perhaps what the "Maximes" most resembled was the then recently-published analysis of egotism in "Leviathan." But the cool and atrocious periods of what Sir Leslie Stephen calls "the unblushing egotism" of Hobbes have really little in common with the sparkling rapier-strokes of La Rochefoucauld, except that both these moralists-- who may conceivably have met and compared impressions in Paris-- combined a resolute pessimism about the corruption of mankind with an epicurean pursuit of happiness. The Maxims of La Rochefoucauld were atoms of gold sifted through the mesh of discussions at the dinner-table, around the fire in winter, under the hawthorns and lilacs which Mme de Sevigne describes, in endless talk between two or more trained and intelligent persons, along the course of which thought oscillated from extreme to extreme, until at last the company dispersed, leaving La Rochefoucauld to capture and to fix the essential result of all that desultory conversation. It is not impossible for us to conjecture the general character of this brilliant and illusive talk. It had one central aim, more or less clearly perceived, namely the desire to reach a Latin standard of perfection. It sought to exchange for the romantic barbarism which had underlain so much that was picturesque in the sixteenth century--a barbarism which had come down from the late Middle Ages, and which was really a dissolution of strong things outworn--to exchange for this a preciousness of quality as against mere rude bulk. It desired to introduce depth of purpose in the place of chaotic moral disorder, originality in place of a frenzied and incoherent eccentricity, and to found a solid structure upon a basis of intellectual discipline. But in order to carry out this fine scheme, and especially in order successfully to check that decadence which had alarmed the best minds in France, there was a pioneer work to be done. It
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