FREE BOOKS

Author's List




PREV.   NEXT  
|<   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279  
280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   >>   >|  
Thee, amid the mystic shadows The solemn hush of nature newly born; Alone with Thee, in breathless adoration, In the calm dew and freshness of the morn. * * * * * When sinks the soul, subdued by toil, to slumber, Its closing eyes look up to Thee in prayer, Sweet the repose beneath Thy wings o'ershadowing, But sweeter still to wake and find Thee there. _THE TUNES._ Barnby's "Windsor," and "Stowe" by Charles H. Morse (1893)--both written to the words. Mendelssohn's "Consolation" is a classic interpretation of the hymn, and finely impressive when skillfully sung, but simpler--and sweeter to the popular ear--is Mason's "Henley," written to Mrs. Eslings'-- "Come unto me when shadows darkly gather." _EVENING HYMNS._ John Keble's beautiful meditation-- Sun of my soul, Thou Saviour dear; John Leland's-- The day is past and gone; and Phebe Brown's-- I love to steal awhile away; --have already been noticed. Bishop Doane's gentle and spiritual lines express nearly everything that a worshipping soul would include in a moment of evening thought. The first and last stanzas are the ones most commonly sung. Softly now the light of day Fades upon my sight away: Free from care, from labor free, Lord I would commune with Thee. * * * * * Soon for me the light of day Shall forever pass away; Then, from sin and sorrow free, Take me, Lord, to dwell with Thee. _THE TUNE._ Both Kozeluck and J.E. Gould, besides Louis M. Gottschalk and Dr. Henry John Gauntlett, have tried their skill in fitting music to this hymn, but only Gottschalk and Kozeluck approach the mood into which its quiet words charm a pious and reflective mind. Possibly its frequent association with "Holley," composed by George Hews, may influence a hearer's judgement of other melodies but there is something in that tune that makes it cling to the hymn as if by instinctive kinship. Others may have as much or more artistic music but "Holley" in its soft modulations seems to breathe the spirit of every word. It was this tune to which a stranger recently heard a group of mill-girls singing Bishop Doane's verses. The lady, a well-known Christian worker, visited a certain factory, and the superintendent, after showing her through the building, opened a door into a long work-room, wh
PREV.   NEXT  
|<   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279  
280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   >>   >|  



Top keywords:
sweeter
 

Bishop

 
Holley
 

written

 

Gottschalk

 

Kozeluck

 
shadows
 

approach

 
frequent
 
Possibly

reflective

 

sorrow

 

forever

 

commune

 

Gauntlett

 
fitting
 

verses

 

worker

 

Christian

 

singing


recently

 

stranger

 
visited
 

opened

 
building
 

superintendent

 
factory
 

showing

 

melodies

 
judgement

George
 

composed

 

influence

 

hearer

 

instinctive

 

kinship

 

breathe

 

spirit

 

modulations

 

Others


artistic

 

association

 

include

 
Barnby
 
ershadowing
 

beneath

 

repose

 

Windsor

 

interpretation

 
classic