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express car, planted in places where 'taint doin' nobody no good. I guess ef I do ut careful I kin send ut back to the company, a little at a time, an' they'd never know where ut come from." Mary wept; Humpy stared, his mouth open, his one eye rolling queerly. "I guess we kin put a little chunk away every year," The Hopper went on. "We'd be comfortabler doin' ut. We could square up ef we lived long enough, which we don't need t' worry about, that bein' the Lord's business. You an' me's cracked a good many safes, Hump, but we never made no money at ut, takin' out th' time we done." "He's got religion; that's wot he's got!" moaned Humpy, as though this marked the ultimate tragedy of The Hopper's life. "Mebbe ut's religion an' mebbe ut's jes' sense," pursued The Hopper, unshaken by Humpy's charge. "They wuz a chaplin in th' Minnesoty pen as used t' say ef we're all square with our own selves ut's goin' to be all right with God. I guess I got a good deal o' squarin' t' do, but I'm goin' t' begin ut. An' all these things happenin' along o' Chris'mus, an' little Shaver an' his ma bein' so friendly like, an' her gittin' me t' help straighten out them ole gents, an' doin' all I done an' not gettin' pinched seems more 'n jes' luck; it's providential's wot ut is!" This, uttered in a challenging tone, evoked a sob from Humpy, who announced that he "felt like" he was going to die. "It's th' Chris'mus time, I reckon," said Mary, watching The Hopper deposit the two checks in the clock. "It's the only decent Chris'mus I ever knowed!" THE END End of Project Gutenberg's A Reversible Santa Claus, by Meredith Nicholson *** END OF THIS PROJECT GUTENBERG EBOOK A REVERSIBLE SANTA CLAUS *** ***** This file should be named 15044.txt or 15044.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/5/0/4/15044/ Produced by Suzanne Shell, Emmy and the PG Online Distributed Proofreading Team.(www.pgdp.net) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project
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