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as never done, Yet arts that thrive at Number Five Don't take at Number One. "'Tis hard with plenty in the street, And plenty passing by,-- There's nice young men at Number Ten, But only rather shy; And Mrs. Smith across the way Has got a grown-up son. But la! he hardly seems to know There is a Number One! "There's Mr. Wick at Number Nine, But he's intent on pelf, And though he's pious, will not love His neighbour as himself. At Number Seven there was a sale-- The goods had quite a run! And here I've got my single lot On hand at Number One! "My mother often sits at work And talks of props and stays, And what a comfort I shall be In her declining days! The very maids about the house Have set me down a nun, The sweethearts all belong to them That call at Number One! "Once only, when the flue took fire, One Friday afternoon, Young Mr. Long came kindly in, And told me not to swoon. Why can't he come again without The Phoenix and the Sun? We cannot always have a flue On fire at Number One! "I am not old, I am not plain, Nor awkward in my gait-- I am not crooked like the bride That went from Number Eight; I'm sure white satin made her look As brown as any bun-- But even beauty has no chance I think at Number One. "At Number Six they say Miss Rose Has slain a score of hearts, And Cupid, for her sake, has been Quite prodigal of darts. The imp they show with bended bow-- I wish he had a gun; But if he had, he'd never deign To shoot with Number One. "It's very hard, and so it is, To live in such a row; And here's a ballad-singer come To aggravate my woe; O take away your foolish song And tones enough to stun-- There is 'nae luck about the house,' I know at Number One." Next is a prose sketch: THE FURLOUGH.--AN IRISH ANECDOTE. "In the autumn of 1825, some private affairs called me into the sister kingdom; and as I did not travel, like Polyphemus, with my eye out, I gathered a few samples of Irish character, amongst which was the following incident:-- "I was standing one morning at the window of 'mine Inn,' when my attention was attracted by a scene that took place beneath. The Belfast coach was standing at the door, and on the roof, in front, sat a solitary outside passenger, a fine young fellow, in th
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