iter with
whom we have for a long time been familiar. We are accustomed to
that uncommon simplicity. But in order to appreciate the narrative
regarding Antea, one must listen attentively to this slow prose and
then one will notice the rhythmic sentences following one after the
other. Then one feels that the author is building a great foundation
for the action. Sometimes there occurs a brief, sharp sentence ending
in a strong, short word, and the result is that Sienkiewicz has given
us a masterpiece which justifies the enthusiasm of a critic, who
called him a Prince of Polish Prose.

In the second period of his literary activity, Sienkiewicz has
produced his remarkable historical trilogy, "The Deluge," "With Fire
and Sword," and "Pan Michael," in which his talent shines forth
powerfully, and which possess absolutely distinctive characters from
his short stories. The admirers of romanticism cannot find any better
books in historical fiction. Some critic has said righteously about
Sienkiewicz, speaking of his "Deluge," that he is "the first of Polish
novelists, past or present, and second to none now living in England,
France, or Germany."

Sienkiewicz being himself a nobleman, therefore naturally in his
historical novels he describes the glorious deeds of the Polish
nobility, who, being located on the frontier of such barbarous nations
as Turks, Kozaks, Tartars, and Wolochs (to-day Roumania), had defended
Europe for centuries from the invasions of barbarism and gave the time
to Germany, France, and England to outstrip Poland in the development
of material welfare and general civilization among the masses--the
nobility being always very refined--though in the fifteenth century
the literature of Poland and her sister Bohemia (Chechy) was richer
than any other European country, except Italy. One should at least
always remember that Nicolaus Kopernicus (Kopernik) was a Pole and
John Huss was a Chech.

Historical novels began in England, or rather in Scotland, by the
genius of Walter Scott, followed in France by Alexandre Dumas _pere_.
These two great writers had numerous followers and imitators in all
countries, and every nation can point out some more or less successful
writer in that field, but who never attained the great success of
Sienkiewicz, whose works are translated into many languages, even
into Russian, where the antipathy for the Polish superior degree of
civilization is still very eager.

The superiority of