FREE BOOKS

Author's List




PREV.   NEXT  
|<   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240  
241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   >>   >|  
ess of Lionardos. Yet do you?" "Then, do you remember our pleasant walks to Enfield, and Potter's Bar, and Waltham, when we had a holyday--holydays, and all other fun, are gone, now we are rich--and the little hand-basket in which I used to deposit our day's fare of savoury cold lamb and salad--and how you would pry about at noon-tide for some decent house, where we might go in, and produce our store--only paying for the ale that you must call for--and speculate upon the looks of the landlady, and whether she was likely to allow us a table-cloth--and wish for such another honest hostess, as Izaak Walton has described many a one on the pleasant banks of the Lea, when he went a fishing--and sometimes they would prove obliging enough, and sometimes they would look grudgingly upon us--but we had cheerful looks still for one another, and would eat our plain food savorily, scarcely grudging Piscator his Trout Hall? Now,--when we go out a day's pleasuring, which is seldom moreover, we _ride_ part of the way--and go into a fine inn, and order the best of dinners, never debating the expense--which, after all, never has half the relish of those chance country snaps, when we were at the mercy of uncertain usage, and a precarious welcome." "You are too proud to see a play anywhere now but in the pit. Do you remember where it was we used to sit, when we saw the Battle of Hexham, and the Surrender of Calais, and Bannister and Mrs. Bland in the Children in the Wood--when we squeezed out our shillings a-piece to sit three or four times in a season in the one-shilling gallery--where you felt all the time that you ought not to have brought me--and more strongly I felt obligation to you for having brought me--and the pleasure was the better for a little shame--and when the curtain drew up, what cared we for our place in the house, or what mattered it where we were sitting, when our thoughts were with Rosalind in Arden, or with Viola at the Court of Illyria? You used to say, that the Gallery was the best place of all for enjoying a play socially--that the relish of such exhibitions must be in proportion to the infrequency of going--that the company we met there, not being in general readers of plays, were obliged to attend the more, and did attend, to what was going on, on the stage--because a word lost would have been a chasm, which it was impossible for them to fill up. With such reflections we consoled our pride then--and I appeal t
PREV.   NEXT  
|<   216   217   218   219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240  
241   242   243   244   245   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   >>   >|  



Top keywords:

relish

 

pleasant

 
remember
 

attend

 

brought

 

shilling

 

gallery

 

Bannister

 

Battle

 

Hexham


precarious

 
Surrender
 
Calais
 

shillings

 
squeezed
 
strongly
 

Children

 

season

 

obliged

 

general


readers

 

appeal

 

consoled

 

reflections

 

impossible

 

company

 

mattered

 

sitting

 

thoughts

 
Rosalind

curtain

 

pleasure

 
uncertain
 

exhibitions

 

proportion

 
infrequency
 

socially

 
enjoying
 

Illyria

 
Gallery

obligation

 

pleasuring

 

produce

 
paying
 

decent

 

honest

 
speculate
 

landlady

 

Potter

 
Waltham