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o on 21 Mar., 1842, and sat for his portrait. This made the process fashionable, and henceforth photography was a practical success. There is nothing much to gossip about, until the Strawberry Hill sale. It was all very well for the Earl of Bath to eulogise the place, "Some cry up Gunnersbury, For Sion some declare, And some say that with Chiswick House No villa can compare; But, ask the beaux of Middlesex, Who know the country well, If Strawberry Hill, if Strawberry Hill Don't bear away the bell." but I fancy no one can endorse the opinion, or see anything to admire in this heterogeneous pile of Carpenter's and Churchwarden's Gothic. If it had applied to the contents that would have been another thing; for, although there was, as is the case in most large collections, an amount of rubbish, it was counterbalanced by the undoubted rarity of the greater portion, which are thus set forth by the perfervid auctioneer, George Robins, who, speaking of himself in the third person, says: "When there pass before him, in review, the splendid gallery of paintings, teeming with the finest works of the greatest masters--matchless Enamels, of immortal bloom, by Petitot, Boit, Bordier, and Zincke; Chasings, the work of Cellini and Jean de Bologna; noble specimens of Faenza Ware, from the pencils of Robbia and Bernard Palizzi; Glass, of the rarest hues and tints, executed by Jean Cousin and other masters of the 15th, 16th and 17th centuries; Limoges enamels of the period of the Renaissance, by Leonard and Courtoise; Roman and Greek antiquities in bronze and sculpture; Oriental and European china, of the choicest forms and colours; exquisite and matchless Missals, painted by Raphael and Julio Clovo; magnificent specimens of Cinque-Cento Armour; Miniatures, illustrative of the most interesting periods of history; a valuable collection of Drawings and Manuscripts; Engravings in countless numbers, and of infinite value; a costly Library, extending to fifteen thousand volumes, abounding in splendid editions of the Classics, illustrated, scarce and unique works, with ten thousand other relics of the arts and history of bygone ages, he may well feel overpowered at the evident impossibility of rendering to each that lengthened notice which their merits and their value demand." The first private view took pla
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