FREE BOOKS

Author's List




PREV.   NEXT  
|<   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132  
133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   >>   >|  
it may have been made perhaps, if not by Master Vlimer, who finished his work at Coimbra in 1508, at any rate by one of his pupils. The stalls, which at the back are separated by Gothic pilasters and pinnacles, have also a continuous canopy, and a high and splendid cresting, which though Gothic in general appearance, is quite renaissance in detail. Outside, the smaller eastern chapels have an elaborate cresting, and tall twisted pinnacles. The large plain tower which rises east of the north transept has a top crowned with battlements, within which stands a square tile-covered spire. [Sidenote: Se, Lamego.] Before going on to discuss the long-continued influence of the Moors, three buildings in which Gothic finally came to an end must be discussed. These are the west front of Lamego, the cathedral of Vizeu, and the porch and chancel of the Se at Braga. Except for its romanesque tower and its west front the cathedral of Lamego has been entirely rebuilt; and of the west front only the lower part remains uninjured. This front is divided by rather elaborate buttresses into three nearly equal parts--for the side aisles are nearly as wide as the central. In each of these is a large pointed doorway, that in the centre being at once wider and considerably higher than those of the aisles. The central door has six moulded shafts on either side, all with elaborately carved capitals and with deeply undercut foliage in the hollows between, this foliage being carried round the whole arch between the mouldings. Above the top of the arch runs a band of flat, early renaissance carving with a rich Gothic cresting above. The side-doors are exactly similar, except that they have fewer shafts, four instead of six, and that in the hollows between the mouldings the carving is early renaissance in character and is also flatter than in the central door. Above runs the same band of carving--but lower down--and a similar but simpler cresting. [Sidenote: Se, Vizeu.] Unlike Lamego, while the cathedral of Vizeu has been but little altered within, scarcely any of the original work is to be seen outside. The present cathedral was built by Bishop Dom Diego Ortiz de Vilhegas about the year 1513, and his arms as well as those of Dom Manoel and of two of his sons are found on the vault. The church is not large, having a nave and aisles of four bays measuring about 105 feet by 62; square transept chapels, and a seventeenth-century chancel with
PREV.   NEXT  
|<   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132  
133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   >>   >|  



Top keywords:

cresting

 
Lamego
 

cathedral

 
Gothic
 
renaissance
 

aisles

 
carving
 

central

 
transept
 

mouldings


square
 

Sidenote

 

chancel

 

similar

 

pinnacles

 

elaborate

 

chapels

 

shafts

 
hollows
 
foliage

carried

 

elaborately

 

moulded

 
higher
 

carved

 

capitals

 
undercut
 

deeply

 

seventeenth

 
Vilhegas

century

 
measuring
 

church

 
Manoel
 

Bishop

 

flatter

 

simpler

 
character
 

considerably

 
Unlike

present
 

original

 
scarcely
 

altered

 
rebuilt
 
detail
 

Outside

 

smaller

 

eastern

 
appearance