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glets, and were left to choose between their headdresses and their heads. Barere's delight at the success of this facetious fiction was quite extravagant; he could not tell the story without going into such convulsions of laughter as made his hearers hope that he was about to choke. There was something peculiarly tickling and exhilarating to his mind in this grotesque combination of the frivolous with the horrible, of false locks and curling-irons with spouting arteries and reeking hatchets. But, though Barere succeeded in earning the honorable nicknames of the Witling of Terror and the Anacreon of the Guillotine, there was one place where it was long remembered to his disadvantage that he had, for a time, talked the language of humanity and moderation. That place was the Jacobin Club. Even after he had borne the chief part in the massacre of the Girondists, in the murder of the Queen, in the destruction of Lyons, he durst not show himself within that sacred precinct. At one meeting of the society, a member complained that the Committee to which the supreme direction of affairs was entrusted, after all the changes which had been made, still contained one man who was not trustworthy. Robespierre, whose influence over the Jacobins was boundless, undertook the defence of his colleague, owned there was some ground for what had been said, but spoke highly of Barere's industry and aptitude for business. This seasonable interposition silenced the accuser; but it was long before the neophyte could venture to appear at the club. At length a masterpiece of wickedness, unique, we think, even among Barere's great achievements, obtained his full pardon even from that rigid conclave. The insupportable tyranny of the Committee of Public Safety had at length brought the minds of men, and even of women, into a fierce and hard temper, which defied or welcomed death. The life which might be any morning taken away, in consequence of the whisper of a private enemy, seemed of little value. It was something to die after smiting one of the oppressors; it was something to bequeath to the surviving tyrants a terror not inferior to that which they had themselves inspired. Human nature, hunted and worried to the utmost, now turned furiously to bay. Fouquier Tinville was afraid to walk the streets; a pistol was snapped at Collot D'Herbois; a young girl, animated apparently by the spirit of Charlotte Corday, attempted to obtain an interview with
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