at the window, wondering, and
Winifred turned to Hastings.
"What are they shouting for?" she asked. "They are all crowding about
the waggon now."
Agatha felt suddenly dazed and dizzy, for she knew what the answer to
that question must be even before Mrs. Hastings spoke.
"It's Harry coming back," she said, and gasped.
In another moment they streamed out of the house, and Agatha found it
scarcely possible to follow them, for the sudden revulsion of feeling
had almost overpowered her. Still, she reached the door, and saw the
waggon drawn up amidst a cluster of struggling men, and by and bye
Wyllard, whom they surrounded, break out as if by force from the midst
of them. She stood on the threshold waiting him, and in the midst of
her exultation a pang smote her as she saw how gaunt and worn he was.
He came straight towards her, apparently regardless of the others, and
clasping the hands she held out drew her into the house.
"So you have not married Gregory yet?" he said, and laughed
triumphantly when he saw the answer in her shining eyes.
"No," she said softly, "it is certain that I will never marry him."
Wyllard drew her back still further with a compelling grasp.
"Why?" he asked.
Agatha looked up at him, and then turned her eyes away.
"I was waiting for you," she said simply.
[Illustration: "'I was waiting for you,' she said simply."]
Then he took her in his arms and kissed her before he turned, still
with her hand in his, to face the others who were now flocking back to
the house, and in another moment or two they went in together amidst a
confused clamour of good wishes.
THE END.
End of the Project Gutenberg EBook of Hawtrey's Deputy, by Harold Bindloss
*** END OF THIS PROJECT GUTENBERG EBOOK HAWTREY'S DEPUTY ***
***** This file should be named 27601.txt or 27601.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/7/6/0/27601/
Produced by Al Haines
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Proj
|