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time you saw her," he said boyishly. "You couldn't believe there could be such sweetness on earth--until you saw her again. Even her eyes and her little mouth and her softness were like that. You had to tell yourself about them over and over again to make them real when she wasn't there!" He was still thin, but the ghastly hollows had filled and his smile scarcely left his face--and he had waited as long as he could. "And to see her with a little child in her arms!" he had murmured. "Robin! Holding it--and being careful! And showing it to me!" After he first caught sight of the small old towers of Darreuch he could not drag his eyes from them. "She's there! She's there! They're both there together!" he said over and over. Just before they left the carriage he wakened as it were and spoke to Coombe. "She won't be frightened," he said. "I told her--last night." Coombe had asked himself if he must go to her. But, marvellously even to him, there was no need. When they stood in the dark little hall--as she had come down the stone stairway on the morning when she bade him her sacred little good-bye, so she came down again--like a white blossom drifting down from its branch--like a white feather from a dove's wing.--But she held her baby in her arms and to Donal her cheeks and lips and eyes were as he had first seen them in the Gardens. He trembled as he watched her and even found himself spellbound--waiting. "Donal! Donal!" And they were in his arms--the soft warm things--and he sat down upon the lowest step and held them--rocking--and trembling still more--but with the gates of peace open and earth and war shut out. THE END End of the Project Gutenberg EBook of Robin, by Frances Hodgson Burnett *** END OF THIS PROJECT GUTENBERG EBOOK ROBIN *** ***** This file should be named 18945.txt or 18945.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/9/4/18945/ Produced by Hilary Caws-Elwitt and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in t
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