ther large group of stamps have numerals of value as their
distinguishing feature. As examples of this we find, the early issues of
Brazil and Hawaii, many stamps of Sweden, Netherlands, Denmark, etc., as
well as the postage due stamps of many countries, including our own.
[Illustration: Stamp, Brazil, "30"]
[Illustration: Stamp, "Hawaiian Postage", 2 cents]
[Illustration: Stamp, "Loesen", 1 ore]
[Illustration: Stamp, "Nederland", 21/2 cent]
[Illustration: Stamp, "Danmark", 5 ore]
[Illustration: Stamp, Arabic]
In other countries only inscriptions are used. This is especially the
case with the Native States of India, in some of which as many as four
languages are said to be employed on one stamp. These are interesting
for their crude and curious designs but are not popular with collectors,
probably because of our inability to read them.
[Illustration: Stamp, Arabic]
Afghanistan has varied the idea by placing on her stamps a tiger's head
surrounded by a broad circle of inscriptions. Owing to the short comings
of native art the tiger is more often droll than ferocious.
The method of cancellation used in that country is crude but effective.
It consists in cutting or tearing a piece out of the stamp. Needless to
say, it is not popular with stamp collectors.
[Illustration: Stamp, Arabic, Hindi]
Jhalawar, one of the Native States of India, has also varied the
monotony of inscriptions by the addition of a sort of jumping-jack
figure. By some writers this is claimed to be a dancing dervish and by
others a Nautch girl. As pictured on the stamp the figure does not
present the sensuous outlines which have always been attributed to those
delectable damsels. Bossakiewicz, in his _Manuel du Collectionneur de
Timbres Poste_ says: "A dancing nymph, belonging to the secondary order
of Hindu divinities and known as an _apsara_." Here is a problem which
the next convert to philately may undertake to solve. You see there are
still worlds to conquer, in spite of all the inky battles that have been
waged by philatelic writers.
[Illustration: Stamp, "Diligencia", 60 centavos]
[Illustration: Stamp, "Escuelas", 1 centesimo]
The first stamps of Uruguay bear the inscription "diligencia"
(stagecoach), thus plainly indicating the method then employed for
transporting the mails. On some of the Venzuelan stamps is the word
"escuelas" (schools), a portion of the revenue from this source being
devoted to the maintenance
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