le between the Huns and the Nibelungs. By Schnorr von
Carolsfeld 190
Gunther and Hagen brought Captive before Kriemhild. By Schnorr von
Carolsfeld 222
The Death of Kriemhild. By Schnorr von Carolsfeld 246
Otto Ludwig 268
The Finding of Moses. By Schnorr von Carolsfeld 300
Moses on Mt. Sinai. By Schnorr von Carolsfeld 330
Jacob and Rachel at the Well. By Schnorr von Carolsfeld 360
Jacob's Journey. By Schnorr von Carolsfeld 390
David being Stoned by Sinei. By Schnorr von Carolsfeld 420
The Death of Eli. By Schnorr von Carolsfeld 450
Josiah hears the Law. By Schnorr von Carolsfeld 480
The Prophet Jeremiah. By Schnorr von Carolsfeld 510
EDITOR'S NOTE
The painters represented here alongside with the two writers to whom
this volume is devoted, are Cornelius, Schnorr von Carolsfeld, Rethel,
and Kaulbach. These men were not only contemporary with Hebbel and
Ludwig, but may indeed be called their artistic counterparts. Though
widely differentiated by individual temper and talent, these painters
and poets belong to the same phase of mid-century German literature and
art: the striving of Romanticism beyond itself, the struggle for a new
style uniting depth of feeling and terseness of delineation, the longing
for a new view of life harmonizing the worship of the past with the
demands of modern society and the problems of the day. Hence the heroic
note in the work of these painters and poets, hence their predilection
for great historical or mythological or religious subjects, hence their
leaning toward tragic conflicts in every day situations, hence their all
too conscious striving for pointed effects; hence, also, the inspiring
influence emanating from their best productions.
KUNO FRANCKE.
THE LIFE OF FRIEDRICH HEBBEL
By WILLIAM GUILD HOWARD, A.M.,
Assistant Professor of German, Harvard University
The greatest German dramatists of the middle of the nineteenth century
were Franz Grillparzer, Friedrich Hebbel, and Otto Ludwig. In a caustic
epigram written in 1855, Grillparzer set forth that Dame Poetry, for
some years a widow and now ailing, needed a husband, but could find
none; and we remember that the heroine of _Libussa_ rejects the wise
Lapak, the strong Biwoy, and the rich Domaslaw because she desires in
one man, united, the qualities which separately dominate the three. With
more charity, Grillparzer might have more fully recognized t
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