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ality of seeming true, and the fact that Defoe can so deceive us makes his work the more excellent reading. The _Memoirs of a Cavalier_ resembles _Robinson Crusoe_ in so far as it is a tale told by a man of his own experiences and adventures. It has just the same air of truth and for a long time after its first publication in 1720 people were divided in opinion as to whether it was a book of real memoirs or not. A critical examination has shown that it is Defoe's own work and not, as he declares, the contents of a manuscript which he found "by great accident, among other valuable papers" belonging to one of King William's secretaries of state. Although his gifts of imagination enabled him to throw himself into the position of the Cavalier he lapses occasionally into his own characteristic prose and the style is often that of the eighteenth rather than the seventeenth century, more eloquent than quaint. Again, he is not careful to hide inconsistencies between his preface and the text. Thus, he says in his preface that he discovered the manuscript in 1651; yet we find in the _Memoirs_ a reference to the Restoration, which shows that it must have been written after 1660 at least. There is abundant proof that the book is really a work of fiction and that the Cavalier is an imaginary character; but, in one sense, it is a true history, inasmuch as the author has studied the events and spirit of the time in which his scene is laid and, though he makes many mistakes of detail, he gives us a very true picture of one of the most interesting periods in English and European history. The _Memoirs_ thus represent the English historical novel in its beginnings, a much simpler thing than it was to become in the hands of Scott and later writers. The period in which the scene is laid is that of the English Civil War, in which the Cavalier fought on the side of King Charles I against the Puritans. But his adventures in this war belong to the second part of the book. In the first part, he tells of his birth and parentage, the foreign travel which was the fashionable completion of the education of a gentleman in the seventeenth century, and his adventures as a volunteer officer in the Swedish army, where he gained the experience which was to serve him well in the Civil War at home. Many a real Cavalier must have had just such a career as Defoe's hero describes as his own. After a short time at Oxford, "long enough for a gentleman," he
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