artillery
on even terms with that of the Germans.
It didna last, you'll be saying. Aye, I ken that. All the rules union
labor had made were lifted i' the end. Labor in Britain took its place
on the firing line, like the laddies that went oot there to ficht.
Mind you, I'm saying no word against a man because he stayed at hame
and didna ficht. There were reasons to mak' it richt for many a man
tae do that. I've no sympathy wi' those who went aboot giving a white
feather to every young man they saw who was no in uniform. There was
much cruel unfairness in a' that.
But I'm saying it was a dreadfu' thing that men didna see for
themselves, frae the very first, where their duty lay. I'm saying it
was a dreadfu' thing for a man to be thinking just of the profit he
could be making for himself oot of the war. And we had too many of
that ilk in Britain--in labor and in capital as well. Mind you there
were men i' London and elsewhere, rich men, who grew richer because of
their work as profiteers.
And do you see what I mean now? The war was a great calamity. It cost
us a great toll of grief and agony and suffering. But it showed us, a'
too plainly, where the bad, rotten spots had been. It showed us that
things hadna been sae richt as we'd supposed before. And are we no
going to mak' use of the lesson it has taught us?
CHAPTER XXIII
I've had a muckle to say in this book aboot hoo other folk should be
acting. That's what my wife tells me, noo that she's read sae far.
"Eh, man Harry," she says, "they'll be calling you a preacher next.
Dinna forget you're no but a wee comic, after a'!"
Aye, and she's richt! It's a good thing for me to remember that. I'm
but old Harry Lauder, after a'. I've sung my songs, and I've told my
stories, all over the world to please folk. And if I've done a bit
more talking, lately, than some think I should, it's no been all my
ain fault. Folk have seemed to want to listen to me. They've asked me
questions. And there's this much more to be said aboot it a'.
When you've given maist of the best years of your life to the public
you come to ken it well. And--you respect it. I've known of actors and
other artists on the stage who thought they were better than their
public--aye. And what's come tae them? We serve a great master, we
folk of the stage. He has many minds and many tongues, and he tells us
quickly when we please him--and when we do not. And always, since the
nicht when I first sang
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