laze of their beauty."

I have been more willing to give room to this description of Rubens's
pictures and the effect they produced upon Motley, because there is a
certain affinity between those sumptuous and glowing works of art and the
prose pictures of the historian who so admired them. He was himself a
colorist in language, and called up the image of a great personage or a
splendid pageant of the past with the same affluence, the same rich
vitality, that floods and warms the vast areas of canvas over which the
full-fed genius of Rubens disported itself in the luxury of imaginative
creation.

XI.

1856-1857. AEt. 42-43.

PUBLICATION OF HIS FIRST HISTORICAL WORK, "RISE OF THE DUTCH REPUBLIC."
--ITS RECEPTION.--CRITICAL NOTICES.

The labor of ten years was at last finished. Carrying his formidable
manuscript with him,--and how formidable the manuscript which melts down
into three solid octavo volumes is, only writers and publishers know,--he
knocked at the gate of that terrible fortress from which Lintot and Curll
and Tonson looked down on the authors of an older generation. So large a
work as the "History of the Rise of the Dutch Republic," offered for the
press by an author as yet unknown to the British public, could hardly
expect a warm welcome from the great dealers in literature as
merchandise. Mr. Murray civilly declined the manuscript which was offered
to him, and it was published at its author's expense by Mr. John Chapman.
The time came when the positions of the first-named celebrated publisher
and the unknown writer were reversed. Mr. Murray wrote to Mr. Motley
asking to be allowed to publish his second great work, the "History of
the United Netherlands," expressing at the same time his regret at what
he candidly called his mistake in the first instance, and thus they were
at length brought into business connection as well as the most agreeable
and friendly relations. An American edition was published by the Harpers
at the same time as the London one.

If the new work of the unknown author found it difficult to obtain a
publisher, it was no sooner given to the public than it found an
approving, an admiring, an enthusiastic world of readers, and a noble
welcome at the colder hands of the critics.

"The Westminster Review" for April, 1856, had for its leading article a
paper by Mr. Froude, in which the critic awarded the highest praise to
the work of the new historian. As one of the earliest as we