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n with a train of coaches, impatient to get the first news from de Coeuvres after the scheme should have been carried into effect, and intending to travel post towards Flanders to meet and welcome the Princess. "Pleasant farce for Shrove Tuesday," wrote the secretary of Pecquius, "is that which the Frenchmen have been arranging down there! He in whose favour the abduction is to be made was seen going out the same day spangled and smart, contrary to his usual fashion, making a gambado towards Saint-Germain-en-Laye with four carriages and four to meet the nymph." Great was the King's wrath and mortification at this ridiculous exposure of his detestable scheme. Vociferous were Villeroy's expressions of Henry's indignation at being supposed to have had any knowledge of or complicity in the affair. "His Majesty cannot approve of the means one has taken to guard against a pretended plot for carrying off the Princess," said the Secretary of State; "a fear which was simulated by the Prince in order to defame the King." He added that there was no reason to suspect the King, as he had never attempted anything of the sort in his life, and that the Archduke might have removed the Princess to his palace without sending an army to the hotel of the Prince of Orange, and causing such an alarm in the city, firing artillery on the rampart as if the town had been full of Frenchmen in arms, whereas one was ashamed next morning to find that there had been but fifteen in all. "But it was all Marquis Spinola's fault," he said, "who wished to show himself off as a warrior." The King, having thus through the mouth of his secretary of state warmly protested against his supposed implication in the attempted abduction, began as furiously to rail at de Coeuvres for its failure; telling the Duc de Vendome that his uncle was an idiot, and writing that unlucky envoy most abusive letters for blundering in the scheme which had been so well concerted between them. Then he sent for Malherbe, who straightway perpetrated more poems to express the King's despair, in which Henry was made to liken himself to a skeleton with a dried skin, and likewise to a violet turned up by the ploughshare and left to wither. He kept up through Madame de Berny a correspondence with "his beautiful angel," as he called the Princess, whom he chose to consider a prisoner and a victim; while she, wearied to death with the frigid monotony and sepulchral gaieties of the arch
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