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all to mind the doings of the Spirits of the Beryl. In a large number of stories the magic mirror is not a looking-glass at all. But the beryl, the ink-pool, Dr. Dee's famous spherical speculum, the rock crystal, or even a glass of water, may all, according to the adepts, have the same properties as Vulcan's mirror, in which Penelope, the wife of Ulysses, beheld, according to Sir John Davies, a vision of all the wonder and grandeur of Queen Elizabeth's Court to be. Even a polished sword-blade has been asserted to have made an effective magic mirror, and it is recorded that Jacob Boehme penetrated into the innermost secrets of nature and the hearts of men by means of a tin cup. As to cups, the Septuagint gives one to understand that the cup placed by Joseph in the sack of Benjamin in Egypt was not an ordinary drinking-vessel, but a divining-cup. Now, the way of divining with a cup was to fill it with pure water, and to read the images which were then reflected. Some writers have supposed, from the mention of Urim and Thummim in Exodus, that divination by mirror was a recognised institution among the Jews. Urim signifies 'lights,' and Thummim 'reflections,' and the names were applied to the six bright and six dark precious stones on the breastplate of the high priest when he went to seek special revelations. Cambuscan's mirror was, according to Chaucer, of Oriental origin. It was given by the King of Tartary to the King of Araby, and it seemed to possess all the virtues of several kinds of magic mirrors. Thus it showed whether love was returned, whether an individual confronted with it were friend or foe, and what trouble was in store for those who consulted it. Merlin's mirror, also called Venus's looking-glass, had some of these properties, but was made in Wales, and was given by Merlin to King Ryence. It revealed what was being done by friend or foe at a distance, and it also enabled the fair Britomart to read the features, and also the name, of her future husband. The consultation of a pool, on certain special occasions, for the lineaments of 'the coming man,' has been a common enough practice with love-sick damsels in much more recent times. The wonderful looking-glass of Lao, described by Lien Chi Altangi in Goldsmith's Citizen of the World, reflected the mind as well as the body, and the Emperor Chusi used to make his ladies dress both their heads and their hearts before it every morning. Great, however,
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