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nd a coat of arms in fresco for the Roman people on the Campidoglio, which was much extolled. But the best work that ever issued from the hands of this master, and the most highly praised, was a little study wrought in stucco for the Duchess Margherita of Austria in the Palace of the Medici at Rome--a thing so beautiful and so ornate that there is nothing better to be seen; nor do I believe that it is possible, in a certain sense, to do with silver what L'Indaco did in this work with stucco. From these things it may be judged that if this man had taken pleasure in work and had made use of his intelligence, he would have become excellent. Francesco drew passing well, but Jacopo much better, as may be seen in our book. LUCA SIGNORELLI OF CORTONA LIFE OF LUCA SIGNORELLI OF CORTONA [_LUCA DA CORTONA_] PAINTER Luca Signorelli, an excellent painter, of whom, according to the order of time, we have now to speak, was more famous throughout Italy in his day, and his works were held in greater price than has ever been the case with any other master at any time whatsoever, for the reason that in the works that he executed in painting he showed the true method of making nudes, and how they can be caused, although only with art and difficulty, to appear alive. He was a pupil and disciple of Piero dal Borgo a San Sepolcro, and greatly did he strive in his youth to imitate his master, and even to surpass him; and the while that he was working with Piero at Arezzo, living in the house of his uncle Lazzaro Vasari, as it has been told, he imitated the manner of the said Piero so well that the one could scarcely be distinguished from the other. The first works of Luca were in S. Lorenzo at Arezzo, where he painted the Chapel of S. Barbara in fresco in the year 1472; and he painted for the Company of S. Caterina, on cloth and in oil, the banner that is borne in processions, and likewise that of the Trinita, although this does not appear to be by the hand of Luca, but by Piero dal Borgo himself. In S. Agostino in the same city he painted the panel of S. Niccola da Tolentino, with most beautiful little scenes, executing the work with good drawing and invention; and in the same place, in the Chapel of the Sacrament, he made two angels wrought in fresco. In the Chapel of the Accolti in the Church of S. Francesco, for Messer Francesco, Doctor of Laws, he painted a panel in which he portrayed the said Messer Franc
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