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e there is no tempest, such as arose after leaving the Ciconians, in order to reach the land of the Cyclops; that collapse of the will seems to have pictured itself in the quiet deep. But who are the Cyclops? A race "without law, addicted to violent deeds;" they have no agriculture, "they plant not, neither do they plow;" they get their products, "trusting to the Gods," that is, trusting to nature, since the Cyclops have small regard for the higher Gods, as we shall soon see. Another mere formula this, showing that the Homeric deity was getting crystallized even for Homer. "They hold no councils" in common, are not associated together, but "they dwell in vaulted caves on mountain heights," such as the famous Corycian cavern which is near the top of a mountain on Parnassus. There "each man rules his wives and children," evidently a herding polygamous condition of the family; "nor do they (the Cyclops) care for one another." Still further, "they have no ships with crimson prows," no navigation, no commerce which seeks "the cities of men" and binds them together in the bond of society and humanity. Yet there is an excellent harbor and a good soil, "with copious showers from Zeus;" nature has surely done her part, and is calling loudly for the enterprising colonist to come and plant here his civilized order. This passage must have stirred the Greek emigrant to leave his stony Hellas and seek in the West, a new home; it suggests the great Hellenic movement for the colonization of Italy and Sicily from the 6th to the 9th century B.C. The poet has plainly been with the frontiersman, and seen the latter's giants. The main thing to be noticed in the present account is the extraordinary number of negatives. No laws, no assemblies, no association; no plows, no ships, no intercourse with other cities; the whole civilized life of man is negated, and man himself is thrown back into a state of nature. It is worth while to search for the purpose of this negative procedure on the part of the poet. He might have given a positive description of nature, telling what it is, and telling what the Cyclops is, not emphasizing so much what he is not. But thus the meaning would not come out so plainly; the Cyclops is just the negation of the whole civilized world of Greece, which fact must be expressly imaged in the very words used in the poem. He is not so much a simple being of nature as a being antithetic to society. At this point we can tr
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