phin.
About the same time, the extraordinary success of the duke of
Marlborough's arms, furnished him with materials for an Ode to Queen
Anne. In another Pindaric Ode he celebrates the lord Godolphin; taking
occasion from that nobleman's delight in horse-racing to imitate
the Greek Poet in his favourite manner of writing, by an elegant
digression; to which he added a criticism on that species of poetry.
As in the early part of his life, Mr. Congreve had received favours
from people of a less exalted station, so of these he was highly
sensible, and never let slip any opportunity of shewing his gratitude.
He wrote an Epilogue to his old friend Southern's Tragedy of Oroonoko;
and Mr. Dryden has acknowledged his assistance in the translation
of Virgil: He contributed by his Version of the eleventh Satire
of Juvenal, to the translation of that poet, published also by Mr.
Dryden, to whom Mr. Congreve wrote a copy of Verses on his Translation
of Persius. He wrote likewise a Prologue for a Play of Mr. Charles
Dryden's, full of kindness for that young gentleman, and of respect
for his father.
But the noblest testimony he gave of his filial regard to the memory
of his poetical father, Mr. John Dryden, was the Panegyric he wrote
upon his works, contained in the dedication of Dryden's plays to the
duke of Newcastle.
Mr. Congreve translated the third Book of Ovid's Art of Love; some
favourite passages from the Iliad, and writ some Epigrams, in all
which he was not unsuccessful, though at the same time he has been
exceeded by his cotemporaries in the same attempts.
The author of the elegant Letters, not long ago published under the
name of Fitz Osborne, has taken some pains to set before his readers;
the version of those parts of Homer, translated by our author, and
the same passages by Pope and Tickell, in which comparison the palm is
very deservedly yielded to Pope.
Our author wrote a Satire called Doris, celebrated by Sir Richard
Steele, who was a warm friend to Mr. Congreve. He also wrote the
Judgment of Paris, a Masque; and the Opera of Semele; of these, the
former was acted with great applause, and the latter is finely set
to music by Mr. Eccles. The last of his Poetical Works, is his Art of
Pleasing, addressed to Sir Richard Temple, the late viscount Cobham.
He has written many Prose Epistles, dispersed in the works of other
writers, and his Essay on Humour in Comedy, published in a Collection
of Dennis's Letters
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