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inda Cerro ayrada la ventana A la disculpa a los zelos Que el Moro Ganzul le daya, Confusa y arrepentida De averse fingido ayrada, For verle y desagravialle, El corazon se le abraza; Que en el villano de amor Es mui cierta la mudanza, etc. Y como supo que el Moro Rompio furioso la lanca, etc. Y que la librea verde Avia trocado en leonada; Saco luego una marlota De tufetan roxo y plata, Un bizarro capellar De tela de oro morada, etc. Con une bonete cubierto De zaphires y esparaldas, Que publican zelos muertos, Y vivas las esperancos, Con una nevada toca; Que el color de la veleta Tambien publica bononca Informandose primero. A donde Ganzul estava, A una caza de plazer Aquella tarde le llama Y diziendole a Ganzul. Que Zelinda le aguardava, Al page le pregunto Tres vezes si so burlava; Que son malaas de creer Las nuevas mui desseadas, etc. Hollola en un jardin, Entre mosquetta y jasmine, etc. Viendose Moro con ella, A penas los ojos alca; Zelinda le asio la mano, Un poco roxa y turbada; Y al fin de infinitas guexas Que en tales passes se passan, Vistio se las ricas presas Con las manos de su dama, etc. [15] Mohammedan priest. [16] See Note H, page 225. [17] A.D. 1453, Heg. 857. [18] A.D. 1469, Heg. 874. [19] See Note I, page 226. [20] The edicts of Charles V., which were renewed and rendered more severe by Philip II., directed an entire change in the peculiar domestic habits and manners of the Moors, prescribed their adoption of the Spanish costume and language, forbade their women to wear veils, interdicted the use of the oath and the celebration of their national dances, and ordered that all their children from the age of five to fifteen should be registered, that they might be sent to Catholic Schools. {203} NOTES. FIRST EPOCH. A, page 25. _Until they embrace Islamism, &c._ The word _Islamism_ is derived from _islam_, which signifies _consecration to God_. The brief synopsis given in the text of the principles of the Mohammedan religion, is literally rendered by the author from several different chapters of the Koran. These precepts are there to be found almost lost amid a mass of absurdities, repetitions, and incoherent rhapsodies. Yet, throughout the entire work, there are occasionally bright gleams of fervid eloquence or pure morality. Mohammed never sp
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