d the first question they were
called on to settle was this, "Suppose a young man bred a farmer, but
without any fortune, has it in his power to marry either of two women;
the one a girl of large fortune, but neither handsome in person, nor
agreeable in conversation, but who can manage the household affairs of
a farm well enough; the other of them, a girl every way agreeable in
person, conversation, and behaviour, but without any fortune, which of
them shall he choose?" This question was started by the poet, and once
every week the club were called to the consideration of matters
connected with rural life and industry: their expenses were limited to
threepence a week; and till the departure of Burns to the distant
Mossgiel, the club continued to live and thrive; on his removal it
lost the spirit which gave it birth, and was heard of no more; but its
aims and its usefulness were revived in Mauchline, where the poet was
induced to establish a society which only differed from the other in
spending the moderate fines arising from non-attendance, on books,
instead of liquor. Here, too, Burns was the president, and the members
were chiefly the sons of husbandmen, whom he found, he said, more
natural in their manners, and more agreeable than the self-sufficient
mechanics of villages and towns, who were ready to dispute on all
topics, and inclined to be convinced on none. This club had the
pleasure of subscribing for the first edition of the works of its
great associate. It has been questioned by his first biographer,
whether the refinement of mind, which follows the reading of books of
eloquence and delicacy,--the mental improvement resulting from such
calm discussions as the Tarbolton and Mauchline clubs indulged in, was
not injurious to men engaged in the barn and at the plough. A
well-ordered mind will be strengthened, as well as embellished, by
elegant knowledge, while over those naturally barren and ungenial all
that is refined or noble will pass as a sunny shower scuds over lumps
of granite, bringing neither warmth nor life.

In the account which the poet gives to Moore of his early poems, he
says little about his exquisite lyrics, and less about "The Death and
dying Words of Poor Mailie," or her "Elegy," the first of his poems
where the inspiration of the muse is visible; but he speaks with
exultation of the fame which those indecorous sallies, "Holy Willie's
Prayer" and "The Holy Tulzie" brought from some of the clergy