tial to
the clouted shoe. In "Scotch Drink" he excites man to love his
country, by precepts both heroic and social; and proves that while
wine and brandy are the tipple of slaves, whiskey and ale are the
drink of the free: sentiments of a similar kind distinguish his
"Earnest Cry and Prayer to the Scotch Representatives in the House of
Commons," each of whom he exhorts by name to defend the remaining
liberties and immunities of his country. A higher tone distinguishes
the "Address to the Deil:" he records all the names, and some of them
are strange ones; and all the acts, and some of them are as whimsical
as they are terrible, of this far kenned and noted personage; to these
he adds some of the fiend's doings as they stand in Scripture,
together with his own experiences; and concludes by a hope, as
unexpected as merciful and relenting, that Satan may not be exposed to
an eternity of torments. "The Dream" is a humorous sally, and may be
almost regarded as prophetic. The poet feigns himself present, in
slumber, at the Royal birth-day; and supposes that he addresses his
majesty, on his household matters as well as the affairs of the
nation. Some of the princes, it has been satirically hinted, behaved
afterwards in such a way as if they wished that the scripture of the
Burns should be fulfilled: in this strain, he has imitated the license
and equalled the wit of some of the elder Scottish Poets.

"The Vision" is wholly serious; it exhibits the poet in one of those
fits of despondency which the dull, who have no misgivings, never
know: he dwells with sarcastic bitterness on the opportunities which,
for the sake of song, he has neglected of becoming wealthy, and is
drawing a sad parallel between rags and riches, when the muse steps in
and cheer his despondency, by assuring him of undying fame.
"Halloween" is a strain of a more homely kind, recording the
superstitious beliefs, and no less superstitious doings of Old
Scotland, on that night, when witches and elves and evil spirits are
let loose among the children of men: it reaches far back into manners
and customs, and is a picture, curious and valuable. The tastes and
feelings of husbandmen inspired "The old Farmer's Address to his old
mare Maggie," which exhibits some pleasing recollections of his days
of courtship and hours of sociality. The calm, tranquil picture of
household happiness and devotion in "the Cotter's Saturday Night," has
induced Hogg, among others, to belie