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thought to be frequently inaccurate, as might be expected when there were no instruments, or none of any great value. Mythology is a very favorite subject, and appears to be treated most fully; but hitherto cuneiform scholars have scarcely penetrated below the surface of the mythological tablets, baffled by the obscurity of the subject and the difficulty of the dialect (in) which they are written. [Illustration: PLATE 88] On one point alone, belonging to the domain of science, do the Assyrian representations of their life enable us to comprehend, at least to some extent, their attainments. The degree of knowledge which this people possessed on the subject of practical mechanics is illustrated with tolerable fulness in the bas-reliefs, more especially in the important series discovered at Koyunjik, where the transport of the colossal bulls from the quarry to the palace gateways is represented in the most elaborate detail. [PLATE LXXXVIII.] The very fact that they were able to transport masses of stone, many tons in weight, over a considerable space of ground, and to place then on the summit of artificial platforms from thirty to eighty (or ninety) feet high, would alone indicate considerable mechanical knowledge. The further fact, now made clear from the bas-reliefs, that they wrought all the elaborate carving of the colossi before they proceeded to raise them or put them in place, is an additional argument of their skill, since it shows that they had no fear of any accident happening in the transport. It appears from the representations that they placed their colossus in a standing posture, not on a truck or wagon of any kind, but on a huge wooden sledge, shaped nearly like a boat, casing it with an openwork of spars or beams, which crossed each other at right angles, and were made perfectly tight by means of wedges. To avert the great danger of the mass toppling over sideways, ropes were attached to the top of the casing, at the point where the beams crossed one another, and were held taut by two parties of laborers, one on either side of the statue. Besides these, wooden forks or props were applied on either side to the second set of horizontal cross-beams, held also by men whose business it would be to resist the least inclination of the huge stone to lean to one side more than to the other. The front of the sledge on which the colossus stood was curved gently upwards, to facilitate its sliding along the ground,
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