ald forehead is rarely becoming to any
woman. A few stray curls or soft waves lend grace to even the most
perfect of brows.

[Illustration: NO. 11]

By bringing the hair down over the forehead, as suggested in No. 11, a
woman with this type of face can easily improve her appearance. By this
graceful arrangement her face loses the childish and sometimes stupid
expression that is peculiar to the type, as may be discerned in No. 10.
When the hair is properly arranged this element of childlikeness lends a
certain appealing sweetness not unattractive even in the faces of
matured matrons. By dressing the hair low so the coil does not appear
above the crown, as in No. 11, the eyes are apparently properly placed.

For Long Faces with Long Noses.

The woman who wears her silken tresses arranged on either side of her
head, draped like curtains from a central parting, is to be envied if
she can do it and yet look young and pretty. She is the Madonna type and
seems to possess all the attributes of gentleness, modesty, and
meekness, and angelic sweetness that are supposed to characterize the
distinctively feminine woman. This is the ideal style of coiffure much
bepraised by man, because, according to a bright modern Amazon, "it
makes a woman look so meek."

[Illustration: NO. 12]

The only type to which it is really becoming is the Italian. The type
with _matte_ complexion, soft eyes, finely chiselled nose, and
delicately oval chin, look ideally sweet and feminine with the hair
arranged _a la_ Madonna.

[Illustration: NO. 13]

Long faces of the form pictured by No. 12 exaggerate the longness and
leanness of their faces by wearing their locks like looped curtains. A
long nose with two long lines on either side of the cheek seems longer
than it is, as the observer may discern three lines instead of only the
nasal one, and the impression of longness is emphasized. Not only is
the length of the countenance made more noticeable, but years and years
are apparently added to the actual age.

That No. 13, which shows a parting and soft waves that do not come below
the ears, is to be preferred by a woman whose features are of this
character need hardly be explained. The improvement in looks is quite
obvious.

[Illustration: NOS. 14 AND 15]

No. 14 is an example of a misguided woman of the pudgy type who, for
some inexplicable reason, arranges her hair in the Madonna style. It is
utterly unsuited to her face. Unless her ears a