er part of the face.

[Illustration: NO. 75]

[Illustration: NO. 76]

The man with a pugilistic chin should endeavor to select a hat that will
not make his heavy jaw as prominent as does the stiff derby, in No. 77.

[Illustration: NO. 77]

A soft alpine hat, or one somewhat of the style of No. 78, improves his
appearance. The high crown and wide, gracefully rolling brim
counter-balance the weight and prominence of the jaw.

[Illustration: NO. 78]

Apropos of the minor details of man's garments, the button as a feature
of clothes has never been fully done justice to. It is a sustaining
thing we know, something we can hang to, fasten to, and even tie to.
That properly placed buttons contribute to our mental poise and
therefore to our physical repose, is hinted in that absurdly engaging
story, anent the smart boy who was the envy of his spelling-class,
because he always stood first. You remember, no doubt, that an envious
but keen-eyed classmate observed that the smart speller worked off his
nervous apprehensiveness by twirling the top button of his coat as he
correctly spelled word after word, day in and day out; and how the
keen-eyed one played the part of a stealthy villain and surreptitiously
cut the button off the coat. And do you remember the dramatic ending?
How the smart one on the fatal day sought to "press the button" and
finding it gone, lost his wits completely and failed ignominiously? Many
of us when we have lost a sustaining button, have we not felt as
ridiculously helpless and wit-benumbed as the smart speller?

[Illustration: NO. 79]

We all sub-consciously acknowledge our dependence upon buttons, but not
many of us, evidently, have observed that even buttons have a certain
possibility of caricature in them; and that they may add to, or detract
from, the appearance of manly forms. The consideration of properly
placed buttons may seem trivial to you, but if you will observe sketches
Nos. 79 and 80, you may discern that a thin man may apparently increase
his breadth and add a certain manly touch to his figure, by changing the
buttons at the waist-line of his coat. The buttons placed so near
together, in No. 79, really make his toothpick proportions too obvious.
His back is made to look broader by placing the buttons wider apart, as
shown in No. 80, and changing the cut of his coat-tail.

[Illustration: NO. 80]

That the fat man may also present a more attractive back to his enemies
by consideri