and remain
prostrate on the threshold as long as I am still in sight down the dark
pathway, where the rain trickles off the great overarching bracken upon
my head.

CHAPTER IV

CHOOSING A BRIDE

Three days have passed. Night is closing, in an apartment which has been
mine since yesterday. Yves and I, on the first floor, move restlessly
over the white mats, striding to and fro in the great bare room, of which
the thin, dry flooring cracks beneath our footsteps; we are both rather
irritated by prolonged expectation. Yves, whose impatience shows itself
more freely, from time to time looks out of the window. As for myself, a
chill suddenly seizes me, at the idea that I have chosen to inhabit this
lonely house, lost in the midst of the suburb of a totally strange town,
perched high on the mountain and almost opening upon the woods.

What wild notion could have taken possession of me, to settle myself in
surroundings so foreign and unknown, breathing of isolation and sadness?
The waiting unnerves me, and I beguile the time by examining all the
little details of the building. The woodwork of the ceiling is
complicated and ingenious. On the partitions of white paper which form
the walls, are scattered tiny, microscopic, blue-feathered tortoises.

"They are late," said Yves, who is still looking out into the street.

As to being late, that they certainly are, by a good hour already, and
night is falling, and the boat which should take us back to dine on board
will be gone. Probably we shall have to sup Japanese fashion tonight,
heaven only knows where. The people of this country have no sense of
punctuality, or of the value of time.

Therefore I continue to inspect the minute and comical details of my
dwelling. Here, instead of handles such as we should have made to pull
these movable partitions, they have made little oval-holes, just the
shape of a finger-end, into which one is evidently to put one's thumb.
These little holes have a bronze ornamentation, and, on looking closely,
one sees that the bronze is curiously chased: here is a lady fanning
herself; there, in the next hole, is represented a branch of cherry in
full blossom. What eccentricity there is in the taste of this people! To
bestow assiduous labor on such miniature work, and then to hide it at the
bottom of a hole to put one's finger in, looking like a mere spot in the
middle of a great white panel; to accumulate so much patient and delicate
workmansh