FREE BOOKS

Author's List




PREV.   NEXT  
|<   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270  
271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   >>   >|  
nswer. She was dozing. And Choulette shivered in the cold of the night, in the fear of death. CHAPTER VIII THE LADY OF THE BELLS In her English cart, which she drove herself, Miss Bell had brought over the hills, from the railway station at Florence, the Countess Martin-Belleme and Madame Marmet to her pink-tinted house at Fiesole, which, crowned with a long balustrade, overlooked the incomparable city. The maid followed with the luggage. Choulette, lodged, by Miss Bell's attention, in the house of a sacristan's widow, in the shadow of the cathedral of Fiesole, was not expected until dinner. Plain and gentle, wearing short hair, a waistcoat, a man's shirt on a chest like a boy's, almost graceful, with small hips, the poetess was doing for her French friends the honors of the house, which reflected the ardent delicacy of her taste. On the walls of the drawing-room were pale Virgins, with long hands, reigning peacefully among angels, patriarchs, and saints in beautiful gilded frames. On a pedestal stood a Magdalena, clothed only with her hair, frightful with thinness and old age, some beggar of the road to Pistoia, burned by the suns and the snows, whom some unknown precursor of Donatello had moulded. And everywhere were Miss Bell's chosen arms-bells and cymbals. The largest lifted their bronze clappers at the angles of the room; others formed a chain at the foot of the walls. Smaller ones ran along the cornices. There were bells over the hearth, on the cabinets, and on the chairs. The shelves were full of silver and golden bells. There were big bronze bells marked with the Florentine lily; bells of the Renaissance, representing a lady wearing a white gown; bells of the dead, decorated with tears and bones; bells covered with symbolical animals and leaves, which had rung in the churches in the time of St. Louis; table-bells of the seventeenth century, having a statuette for a handle; the flat, clear cow-bells of the Ruth Valley; Hindu bells; Chinese bells formed like cylinders--they had come from all countries and all times, at the magic call of little Miss Bell. "You look at my speaking arms," she said to Madame Martin. "I think that all these Misses Bell are pleased to be here, and I should not be astonished if some day they all began to sing together. But you must not admire them all equally. Reserve your purest and most fervent praise for this one." And striking with her finger a dark, bare bell which
PREV.   NEXT  
|<   246   247   248   249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270  
271   272   273   274   275   276   277   278   279   280   281   282   283   284   285   286   287   288   289   290   291   292   293   294   295   >>   >|  



Top keywords:

Martin

 

wearing

 
Fiesole
 

Madame

 
formed
 

Choulette

 

bronze

 
Smaller
 

century

 

symbolical


animals

 

leaves

 

seventeenth

 
clappers
 

angles

 

churches

 
covered
 

shelves

 

chairs

 

Renaissance


Florentine
 

silver

 
marked
 
cabinets
 

hearth

 
decorated
 

golden

 

cornices

 

representing

 

admire


astonished

 

equally

 

Reserve

 
finger
 

striking

 

purest

 

fervent

 

praise

 

pleased

 

cylinders


Chinese

 

countries

 
Valley
 

handle

 

Misses

 

speaking

 

statuette

 

thinness

 

luggage

 
lodged