eaves, which crackle under the poet's tread, other leaves will fall.
They fall rarely, slowly, but continually. The frost of the night before
has blighted them all. Dried up and rusty, they barely hang to the trees,
so that the slightest wind that passes over them gathers them one after
another, detaching them from their branches; whirling an instant in the
golden light, they at last rejoin, with a sad little sound, their
withered sisters, who sprinkle the gravel walks. The leaves fall, the
leaves fall!
Amedee Violette is filled with melancholy.
He ought to be happy. What can he reproach destiny with? Has he not the
one he always desired for his wife? Is she not the sweetest and best of
companions for him? Yes! but he knows very well that she consented to
marry him in order to obey Maurice's last wish, he knows very well that
Maria's heart is buried in the soldier's grave at Champigny. She has set
apart a sanctuary within herself where burns, as a perpetual light, the
remembrance of the adored dead, of the man to whom she gave herself
without reserve, the father of her son, the hero who tore himself from
her arms to shed his blood for his country.
Amedee may be certain of the gratitude and devotion of his wife, but he
never will have her love, for Maurice, a posthumous rival, rises between
them. Ah, this Maurice! He had loved Maria very little or not very
faithfully! She should remember that he had first betrayed her, that but
for Amedee he would have abandoned her and she never would have been his
wife. If she knew that in Paris when she was far away he had deceived
her! But she never would know anything of it, for Amedee has too much
delicacy to hurt the memory of the dead, and he respects and even admires
this fidelity of illusion and love in Maria. He suffers from it. The one
to whom he has given his name, his heart, and his life, is inconsolable,
and he must be resigned to it. Although remarried, she is a widow at the
bottom of her heart, and it is in vain that she puts on bright attire,
her eyes and her smile are in mourning forever.
How could she forget her Maurice when he is before her every day in her
son, who is also named Maurice and whose bright, handsome face strikingly
resembles his father's? Amedee feels a presentiment that in a few years
this child will be another Maurice, with the same attractions and vices.
The poet does not forget that his dying friend confided the orphan to
him, and he endeavo
|