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s love of art fills entirely, and he occupies a superior position in literature. Although his resources are modest, they are sufficient to exempt him from anxieties of a trivial nature. Living far from society, in the close intimacy of those that he loves, he does not know the miseries of ambition and vanity. Amedee Violette should be happy. His old friend, Paul Sillery, who breakfasted with him that morning in Meudon, is condemned to daily labor and the exhausting life of a journalist; and when he was seated in the carriage which took him back to Paris that morning, to forced labor, to the article to be knocked off for tomorrow, in the midst of the racket and chattering of an editor's office, beside an interrupted cigar laid upon the edge of a table, he heaved a deep sigh as he thought of Amedee. Ah, this Violette was to be envied! With money, home, and a family, he was not obliged to disseminate his ideas right and left. He had leisure, and could stop when he was not in the spirit of writing; he could think before he wrote and do some good work. It was not astonishing, to be sure, that he produced veritable works of art when he is cheered by the atmosphere of affection. First, he adores his wife, that is easily seen, and he looks upon Maurice's little son as his own, the little fellow is so pretty and attractive with his long, light curls. Certainly, one can see that Madame Violette has a never-to-be-forgotten grief, but what a kind and grateful glance she gives her husband! Could anything be more touching than Louise Gerard, that excellent old maid, the life of the house, who has the knack of making pleasing order and elegant comfort reign in the house, while she surrounds her mother, the paralytic Grandmother Gerard, with every care? Truly, Amedee has arranged his life well. He loves and is loved: he has procured for mind and body valuable and certain customs. He is a wise and fortunate man. While Paul Sillery, buried in the corner of a carriage, allowed himself to be almost carried away by jealousy of his friend, Amedee, detained by the charm of this beautiful day which is drawing to a close, walks with slow, lingering steps under the lindens on the terrace. The leaves are falling around him! A very slight breeze is rising, the blue sky is fading a little below; in the nearest Paris suburb the windows are shining in the oblique rays of the setting sun. It will soon be night, and upon this carpet of dead l
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