is one
very much in demand among the irreconcilables. They are all convinced
that the time is near when they will overthrow the Empire, without
suspecting, alas! that in order to do that twelve hundred thousand German
bayonets will be necessary. The day after the triumph, the month of
imprisonment will be taken into account, and St. Pelagie is not the
'carcere duro'. Papillon is cunning and wishes to have a finger in every
pie, so he goes to dine once a week with those who owe their sojourn in
this easy-going jail to him, and regularly carries them a lobster.
Paul Sillery, who has also made Maurice's acquaintance, loiters in this
studio. The amiable Bohemian has not yet paid his bill to Pere Lebuffle,
but he has cut his red fleece close to his head, and publishes every
Sunday, in the journals, news full of grace and humor. Of course they
will never pardon him at the Cafe de Seville; the "long-haired" ones have
disowned this traitor who has gone over to the enemy, and is now only a
sickening and fetid bourgeois; and if the poetical club were able to
enforce its decrees, Paul Sillery, like an apostate Jew in the times of
the Inquisition, would have been scourged and burned alive. Paul Sillery
does not trouble himself about it, however; and from time to time returns
to the "Seville" and treats its members to a bumper all around, which he
pays for with the gold of his dishonor. Sometimes Jocquelet appears, with
his smooth-shaved face; but only rarely, for he is at present a very busy
man and already celebrated. His audacious nose is reproduced in all
positions and displayed in photographers' windows, where he has for
neighbors the negatives most in demand; for instance, the fatherly and
benevolent face of the pope; Pius IX, or the international limbs of
Mademoiselle Ketty, the majestic fairy, in tights. The journals, which
print Jocquelet's name, treat him sympathetically and conspicuously, and
are full of his praises. "He is good to his old aunt," "gives alms,"
"picked up a lost dog in the street the other evening." An artist such as
he, who stamps immortality on all the comic repertory, and takes Moliere
under his wing, has no time to go to visit friends, that is understood.
However, he still honors Maurice Roger with short visits. He only has
time to make all the knickknacks and china on the sideboard tremble with
the noise of his terrible voice; only time to tell how, on the night
before, in the greenroom, when still cl
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