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is one very much in demand among the irreconcilables. They are all convinced that the time is near when they will overthrow the Empire, without suspecting, alas! that in order to do that twelve hundred thousand German bayonets will be necessary. The day after the triumph, the month of imprisonment will be taken into account, and St. Pelagie is not the 'carcere duro'. Papillon is cunning and wishes to have a finger in every pie, so he goes to dine once a week with those who owe their sojourn in this easy-going jail to him, and regularly carries them a lobster. Paul Sillery, who has also made Maurice's acquaintance, loiters in this studio. The amiable Bohemian has not yet paid his bill to Pere Lebuffle, but he has cut his red fleece close to his head, and publishes every Sunday, in the journals, news full of grace and humor. Of course they will never pardon him at the Cafe de Seville; the "long-haired" ones have disowned this traitor who has gone over to the enemy, and is now only a sickening and fetid bourgeois; and if the poetical club were able to enforce its decrees, Paul Sillery, like an apostate Jew in the times of the Inquisition, would have been scourged and burned alive. Paul Sillery does not trouble himself about it, however; and from time to time returns to the "Seville" and treats its members to a bumper all around, which he pays for with the gold of his dishonor. Sometimes Jocquelet appears, with his smooth-shaved face; but only rarely, for he is at present a very busy man and already celebrated. His audacious nose is reproduced in all positions and displayed in photographers' windows, where he has for neighbors the negatives most in demand; for instance, the fatherly and benevolent face of the pope; Pius IX, or the international limbs of Mademoiselle Ketty, the majestic fairy, in tights. The journals, which print Jocquelet's name, treat him sympathetically and conspicuously, and are full of his praises. "He is good to his old aunt," "gives alms," "picked up a lost dog in the street the other evening." An artist such as he, who stamps immortality on all the comic repertory, and takes Moliere under his wing, has no time to go to visit friends, that is understood. However, he still honors Maurice Roger with short visits. He only has time to make all the knickknacks and china on the sideboard tremble with the noise of his terrible voice; only time to tell how, on the night before, in the greenroom, when still cl
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