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retching out his thin and trembling right hand. His left ankle is bound by a strong fetter of gold. When you have looked at the picture for a little while, you see that he is in a prison cell. A faint light glimmers through a grated window at the back, where steps come down into the cell by the side of a pillar. Beside the old man a lantern stands on the ground. Its glass sides are shaped like church windows, but the flame of the candle inside is guttering and going out. The straw on the floor is bursting into red flames and wreaths of smoke, and the whole pile of rubbish is on the point of being burned up. Behind the man with the muck-rake is another Figure, tall and straight, yet bending down in pity. It is the Figure of Christ. He stands motionless, with a look of sorrowful patience on His face. One of His hands is laid on the old man's shoulder, and with the other He holds up a bright crown. It is a crown of thorns, the same which He wore Himself, but on the thorns are seven bright stars. They turn it into a crown of glory, and shed a radiance over all the picture. You can see that the Saviour's hands have been pierced, and that the thorns have left bleeding marks upon His brow. Away in the dim background, hovering on many-tinted pinions, and with hands clasped in prayer, is an angel--the guardian angel of the old man's soul. This angel has a face of unspeakable sadness, and eyes in which you can almost see the trembling of big tears, ready to fall. These are some of the things that the genius and the exquisite skill of the painter have put into the picture for our eyes to see. What did he mean our minds and hearts to understand by them all? Perhaps I may begin to answer that question by reminding you of what John Banyan meant by the man in his story. _Then said Christiana_ (to the Interpreter), _I persuade myself that I know somewhat the meaning of this; for this is a figure of a man of this world: is it not, good Sir?_ _Thou hast said the right, said he; and his muck-rake doth show his carnal mind. And whereas thou seest him rather give heed to rake up straws and sticks, and the dust of the floor, than to do what he says that calls to him from above, with the celestial crown in his hand, it is to show that Heaven is but as a fable to some, and that things here are counted the only things substantial. Now, whereas it was also shewed thee that the man could look no way but downwards, it is to
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