- THE CRITICAL JUDGEMENT OF PICTURES
CHAPTER XIV - SPECIFIC QUALITIES AND FAULTS
CHAPTER XV - THE PICTURE SENSE
CHAPTER XVI - COLOR, HARMONY, TONE
VALUES.
CHAPTER XVII - ENVELOPMENT AND COLOR PERSPECTIVE
CHAPTER XVIII - THE BIAS OF JUDGMENT
CHAPTER XIX - THE LIVING PRINCIPLE
APPENDIX

ILLUSTRATIONS

Light and Shade--Geo. Inness
Fundamental Forms of Construction
Why Art Without Composition is Crippled: The Madonna of the Veil--Raphael;
The Last Judgement--Michael Angelo; Birth of the Virgin Mary--Durer; The
Annunciation--Botticelli; In Central Park; The Inn--Teniers
Three Ideas in Pictorial Balance
Pines in Winter (Unbalance); The Connoisseurs--Fortuny (Balance of the
Steelyards)
Portrait of Sara Bernhardt--Clairin (Balance Across the Natrual Axis)
Lady with Muff--Photo A. Hewitt (Steelyard in Perspective)
Lion in the Desert--Gerome (Balance of Isolated Measures); Salute to the
Wounded--Detaille (Balance of Equal Measures)
Indian and Horse--Photo A.C. Bode (Oppposition of Light and Dark
Measures); The Cabaret--L. L'hermitte (Opposition Plus Transition)
Along the Shore--Photo by George Butler (Transitional line);
Pathless--Photo by A. Horsely Hinton (Transitional Line)
Hillside (Graded Light Upon Surfaces; Cloud Shadows); River Fog (Light
Graded by Atmospheric Density); The Chant (Gradation through Values of
Separated Objects)
The View-Metre
Three Pictures Found with the View-Metre
View Taken with a Wide Angle Lens
Photography Nearing the Pictorial
The Path of the Surf--Photo (Triangles Occuring in the leading line); The
Shepherdess--Millet (Composition Exhibiting a Double Exit)
Circular Observation--The Principle; The Slaying of the Unpropitious
Messengers (Triangular Composition--Circular Observation)
Huntsman and Hounds (Triangle with Circular Attraction); Portrait of Van
der Geest--Van Dyck (A sphere within a Circle)
Marriage of Bacchus and Ariadne--Tintoretto (Circle and Radius);
Endymion--Watts (The Circle--Vertical Plane)
The Fight Over the Body of Patroclus--Weirls; 1807--Meissonier; Ville
d'Avray--Corot; The Circle in Perspective
The Hermit--Gerard Dow (Rectangle in Circle); The Forge of Vulcan--Boucher
(Circular Observation by Suppression of Sides and Corners)
Orpheus and Eurydice--Corot (Figures outside the natural line of the
picture's composition); The Holy Family--Andrea del Sarto (The circle
overbalanced)
The Herder--Jaque
Alone--Jacques Israels (Constr