uctive Synthesis upon the Vertical); The
Dance--Carpeaux (The Cross Within the Circle)
Sketches from Landscapes by Henry Ranger; Parity of Horizonatals and
Verticals; Crossings of Horizontals by Spot Diversion
Sketch from the Book of Truth--Claude Lorrain (Rectangle Unbalanced); The
Beautiful Gate--Raphael (Verticals Destroying Pictorial Unity)
Mother and Child--Orchardson (Horizontals opposed or Covered); Stream in
Winter--W. E. Schofield (Verticals and Horizontals vs. Diagonal)
Hogarth's Line of Beauty
Aesthetics of Line; The Altar; Roman Invasion--F. Lamayer (Vertical line
in action; dignified, measured, ponderous); The Flock--P. Moran (The
horizontal, typifying quietude, repose, calm, solemnity); The curved line:
variety, movement; Man with Stone--V. Spitzer (Transitional Line,
Cohesion); The Dance--Rubens (The ellipse: line of continuity and unity);
Swallows--From the Strand (The diagonal: line of action; speed)
Aesthetics of Line, Continued, Where Line is the motive and Decoration is
the Impulse; Winter Landscape--After Photograph (Line of grace, variety,
facile sequence); Line Versus Space (The same impulse with angular energy,
The line more attractive than the plane); Reconciliation--Glackens
(Composition governed by the decorative exterior line); December--After
Photograph (Radial lines with strong focalization)
Unity and its Lack; The Lovers--Gussow; The Poulterers--Wallander
Return of Royal Hunting Party--Isabey; The Night Watch--Rembrandt
Departure for the Chase--Cuyp (Background Compromising Original
Structure); Repose of the Reapers--L. L'hermite (The Curvilinear Line)
The Decorative and Pictorial Group; Allegory of Spring--Botticelli
(Separated concepts expressing separate ideas); Dutch Fisher Folk--F. V.
S. (Separated concepts of one idea); The Cossack's Reply--Repin (Unity
through a cumulative idea)
Fundamental Forms of Chiaroscuro; Whistler's Portrait of his Mother;
Moorland--E. Yon; Charcoal Study--Millet; The Arbor--Ferrier
Fundamental Forms of Chiaroscuro, Continued; Landscape--Geo. Inness; The
Kitchen--Whistler; St. Angela--Robt. Reid; An Annam Tiger--Surrand; The
Shrine--Orchardson; Monastic Life--F. V. DuMond
A Reversible Effect of Light and Shade (The Same Subject Vertically and
Horizontally Presented)
Spots and Masses; Note-book sketches from Rubens, Velasquez, Claude
Lorrain and Murillo
Death of Caesar--Gerome; The Travel of the Soul--After Howard Pyle
Bishop Potter
Decorative Evolving the