fant Don Miguel, after whom
the ministers and a multitude of other persons crowded to follow his
example. Meantime the Prince rode to the King at his country seat of Boa
Vista, at San Cristovao, to inform him of all that had passed, and to
entreat his presence in the city, as the best means of securing order
and confidence. His Majesty accordingly set off immediately, and arrived
at the great square at about eleven o'clock, when the people took the
horses from his carriage and dragged him to the palace, the troops
following as on a day of gala, and forming in the square before the
doors. At one of the centre windows the King presently appeared, and
confirmed all that the Prince had promised in his name, declaring at the
same time his perfect approbation of every thing that had been done. The
troops then dispersed, and the King held a court, which was most
numerously attended; and the day ended at the opera, the people again
assembling to drag the King's carriage thither.
It would be curious to investigate the feelings of princes on occasions
so momentous to themselves and to their people. Joam VI., passionately
fond of music, was dragged by a people, grateful for a boon granted that
very day, to a theatre built by himself, where all the music vocal and
instrumental was selected with exquisite taste, and where the piece
presented was a decided favourite.[34] Yet it may be questioned whether
there existed in his wide dominions one heart less at ease than his
own. All his feelings and prejudices were in favour of the ancient order
of things, and this day those feelings and prejudices had been obliged
to bend to the spirit of the times, to a wide-spread desire for freedom,
to every thing, in short, most contrary to the ancient system of
continental Europe.
[Note 34: Rossini's Cenerentola.]
The next day[35], there was nothing but joy in the city, the great
saloon was again crowded with persons eager to sign the oath to the
constitution, illuminations, feux de joie, and fireworks succeeded; and
at the opera, Puccito's Henrique IV. was ordered in compliment to the
King. But he was too much fatigued with the events of the last two days
to go, and when the curtain of the royal box was drawn up, the pictures
only of the king and queen appeared; but they were received with loud
acclamations, as if the royal personages themselves had been present.
[Note 35: The 27th, on which day Messrs. Thornton, Grimaldi, and
Maler, minis
|