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gham still more uncomfortable when he was most conscious that, at the best, even the trained diplomatic mind would never get a grasp of Miriam as a whole. She was constructed to revolve like the terraqueous globe; some part or other of her was always out of sight or in shadow. Peter talked to conceal his feelings, and, like many a man practising that indirectness, rather lost himself in the wood. They agreed that, putting strange accidents aside, the girl would go further than any one had gone in England within the memory of man; and that it was a pity, as regards marking the comparison, that for so long no one had gone any distance worth speaking of. They further agreed that it would naturally seem absurd to any one who didn't know, their prophesying such big things on such small evidence; and they agreed lastly that the absurdity quite vanished as soon as the prophets knew as _they_ knew. Their knowledge--they quite recognised this--was simply confidence raised to a high point, the communication of their young friend's own confidence. The conditions were enormously to make, but it was of the very essence of Miriam's confidence that she would make them. The parts, the plays, the theatres, the "support," the audiences, the critics, the money were all to be found, but she cast a spell that prevented this from seeming a serious hitch. One mightn't see from one day to the other what she would do or how she would do it, but this wouldn't stay her steps--she would none the less go on. She would have to construct her own road, as it were, but at the worst there would only be delays in making it. These delays would depend on the hardness of the stones she had to break. As Peter had noted, you never knew where to "have" Gabriel Nash; a truth exemplified in his unexpected delight at the prospect of Miriam's drawing forth the modernness of the age. You might have thought he would loathe that modernness; but he had a joyous, amused, amusing vision of it--saw it as something huge and fantastically vulgar. Its vulgarity would rise to the grand style, like that of a London railway station, and the publicity achieved by their charming charge be as big as the globe itself. All the machinery was ready, the platform laid; the facilities, the wires and bells and trumpets, the roaring, deafening newspaperism of the period--its most distinctive sign--were waiting for her, their predestined mistress, to press her foot on the spring and set
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