pies; while I have not
ventured to omit any part of any poem. I have not supplied titles of
my own, but have adopted those I found already employed in the
editions used as models, or, in some of the cases in which I found
none, have merely added a descriptive one, such as "Song from 'Don
Juan.'"

In conclusion, my very warmest thanks are due to Messrs. Macmillan &
Co., Ltd., for permission to include Tennyson's "Crossing the Bar"; to
Mr. D. Nutt for permission to insert W. E. Henley's "To R. T. H. B."
and "Margaritae Sorori"; to Messrs. Smith, Elder & Co. for a like
privilege in regard to Browning's "Epilogue," and to Mr. Lloyd
Osbourne and Messrs. Chatto & Windus for permission to reproduce
Stevenson's "Requiem." Without these poems the volume would have had a
much smaller claim to its title than it does possess, slight as that
may be. My thanks are also due to the following gentlemen who have
kindly allowed me to reproduce copyright texts of non-copyright poems
from editions published by them: Messrs. Bickers & Son (Ben Jonson),
Messrs. Chapman & Hall, Ltd. (Landor), Messrs. Chatto & Windus
(Herrick), Mr. Buxton Forman (Keats and Shelley), Mr. Henry Frowde
(Wordsworth), Mr. Alex. Gardner and the Rev. George Henderson, B.D.
(Lady Nairne), Messrs. T. C. & E. C. Jack (Burns), Messrs. Macmillan &
Co., Ltd. (Clough and Tennyson), Mr. John Murray (Byron), Messrs.
Smith, Elder & Co. (Browning), Messrs. Ward, Lock & Co., Ltd.
(Coleridge and Hood).

A. L. G.

CONTENTS.

PAGE

ANONYMOUS.
1. Madrigal 1

ARNOLD (1822-1888).
2. The Forsaken Merman 2

BARBAULD (1743-1825).
3. Life 10

BROWNING (1812-1889).
4. Song from "Pippa Passes" 12
5. Song from "Pippa Passes" 12
6. The Lost Mistress 13
7. Home-Thoughts, from the Sea 14
8. Epilogue 15

BURNS (1759-1796).
9. The Silver Tassie 17
10. Of a' the Airts 18
11. John Anderson my Jo 19
12. Ae Fond Kiss 20
13. Ye Flowery Banks