her hand, meditating on what he
sees, and getting at its meaning by the divining-rod of the
imagination, discovers the law behind the phenomena, the truth behind
the fact, the vital force which flows through all things, and gives
them their significance. The first man gains information; the second
gains culture. The pedant pours out an endless succession of facts
with a monotonous uniformity of emphasis, and exhausts while he
instructs; the man of culture gives us a few facts, luminous in their
relation to one another, and freshens and stimulates by bringing us
into contact with ideas and with life.

To get at the heart of books we must live with and in them; we must
make them our constant companions; we must turn them over and over in
thought, slowly penetrating their innermost meaning; and when we
possess their thought we must work it into our own thought. The
reading of a real book ought to be an event in one's history; it ought
to enlarge the vision, deepen the base of conviction, and add to the
reader whatever knowledge, insight, beauty, and power it contains. It
is possible to spend years of study on what may be called the
externals of the "Divine Comedy," and remain unaffected in nature by
this contact with one of the masterpieces of the spirit of man as well
as of the art of literature. It is also possible to so absorb Dante's
thought and so saturate one's self with the life of the poem as to add
to one's individual capital of thought and experience all that the
poet discerned in that deep heart of his and wrought out of that
intense and tragic experience. But this permanent and personal
possession can be acquired by those alone who brood over the poem and
recreate it within themselves by the play of the imagination upon it.
A visitor was shown into Mr. Lowell's room one evening not many years
ago, and found him barricaded behind rows of open books; they covered
the table and were spread out on the floor in an irregular but magic
circle. "Still studying Dante?" said the intruder into the workshop of
as true a man of culture as we have known on this continent. "Yes,"
was the prompt reply; "always studying Dante."

A man's intellectual character is determined by what he habitually
thinks about. The mind cannot always be consciously directed to
definite ends; it has hours of relaxation. There are many hours in the
life of the most strenuous and arduous man when the mind goes its own
way and thinks its own thought