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not got a national theatre yet. * * * * * Immediately after its unveiling I gazed in the garden of the Palais Royal at Rodin's statue of Victor Hugo. I thought it rather fine, shadowed on the north and on the south by two famous serpentine trees. Hugo, in a state of nudity, reclines meditating on a pile of rocks. The likeness is good, but you would not guess from the statue that for many years Hugo travelled daily on the top of the Clichy-Odeon omnibus and was never recognized by the public. Heaven knows what he is meditating about! Perhaps about that gushing biography of himself which apparently he penned with his own hand and published under another name! For he was a weird admixture of qualities--like most of us. I could not help meditating, myself, upon the really extraordinary differences between France and England. Imagine a nude statue of Tennyson in St. James's Park! You cannot! But, assuming that some creative wit had contrived to get a nude statue of Tennyson into St. James's Park, imagine the enormous shindy that would occur, the horror-stricken Press of London, the deep pain and resentment of a mighty race! And can you conceive London officially devoting a week to the recognition of the fact that fifty years had elapsed since the publication of a work of poetic genius! Yet I think we know quite as much about poetry in England as they do in France. Still less conceivable is the participation of an English Government in such an anniversary. In Paris last Thursday a French Minister stood in front of the Hugo statue and thus began: "The Government of the Republic could not allow the fiftieth anniversary of the 'Legend of the Centuries' to be celebrated without associating itself with the events." My fancy views Mr. Herbert John Gladstone--yes, him!--standing discreetly in front of an indiscreet marble Wordsworth and asserting that the British Government had no intention of being left out of the national rejoicings about the immortality of "The Prelude"! A spectacle that surely Americans would pay to see! On Sunday, at the Francais, Hugo was being declaimed from one o'clock in the afternoon till midnight, with only an hour's interval. And it rained violently nearly all the time. ARTISTS AND CRITICS [_21 Oct. '09_] There is a one-sided feud between artists and critics. When a number of artists are gathered together you will soon in the conversation come upon signs o
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