nto the face of the Madonna that indescribable something which proclaims
the Jewess, whether you find her in New York, in Constantinople, in
Paris, Jerusalem, or in the empire of Morocco. I saw in the Sandwich
Islands, once, a picture copied by a talented German artist from an
engraving in one of the American illustrated papers. It was an allegory,
representing Mr. Davis in the act of signing a secession act or some such
document. Over him hovered the ghost of Washington in warning attitude,
and in the background a troop of shadowy soldiers in Continental uniform
were limping with shoeless, bandaged feet through a driving snow-storm.
Valley Forge was suggested, of course. The copy seemed accurate, and yet
there was a discrepancy somewhere. After a long examination I discovered
what it was--the shadowy soldiers were all Germans! Jeff Davis was a
German! even the hovering ghost was a German ghost! The artist had
unconsciously worked his nationality into the picture. To tell the
truth, I am getting a little perplexed about John the Baptist and his
portraits. In France I finally grew reconciled to him as a Frenchman;
here he is unquestionably an Italian. What next? Can it be possible
that the painters make John the Baptist a Spaniard in Madrid and an
Irishman in Dublin?

We took an open barouche and drove two miles out of Milan to "see ze
echo," as the guide expressed it. The road was smooth, it was bordered
by trees, fields, and grassy meadows, and the soft air was filled with
the odor of flowers. Troops of picturesque peasant girls, coming from
work, hooted at us, shouted at us, made all manner of game of us, and
entirely delighted me. My long-cherished judgment was confirmed. I
always did think those frowsy, romantic, unwashed peasant girls I had
read so much about in poetry were a glaring fraud.

We enjoyed our jaunt. It was an exhilarating relief from tiresome
sight-seeing.

We distressed ourselves very little about the astonishing echo the guide
talked so much about. We were growing accustomed to encomiums on wonders
that too often proved no wonders at all. And so we were most happily
disappointed to find in the sequel that the guide had even failed to rise
to the magnitude of his subject.

We arrived at a tumble-down old rookery called the Palazzo Simonetti--a
massive hewn-stone affair occupied by a family of ragged Italians.
A good-looking young girl conducted us to a window on the second floor