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. This was very compromising. He had been deceived; Lizzie had deceived him. She had no right to do such a thing; and, striving to determine on a line of conduct, Mr Hare examined abstractedly the place he was passing through. In large and serpentine curves the road wound through a wood of small beech trees--so small that in the November dishevelment the plantations were like so much brushwood; and, lying behind the wind-swept opening, gravel walks appeared in grey fragments, and the green spaces of the cricket field with a solitary divine reading his breviary. The drive turned and turned again in great sloping curves; more divines were passed, and then there came a long terrace with a balustrade and a view of the open country, now full of mist. And to see the sharp spire of the distant church you had to look closely, and slanting slowly upwards the great plain drew a long and melancholy line across the sky. The lower terrace was approached by an imposing flight of steps, there were myriads of leaves in the air, and the college bell rang in its high red tower. The high red walls of the college faced the dismal terraces, and the triple line of diamond-paned and iron-barred windows stared upon the ugly Staffordshire landscape. A square tower squatted in the middle of the building, and out of it rose the octagon of the bell tower, and in the tower wall was the great oak door studded with great nails. "How Birmingham the whole place does look," thought Mr Hare, as he laid his hand on an imitation mediaeval bell-pull. "Is Mr John Norton at home?" he asked when the servant came. "Will you give him my card, and say that I should like to see him." On entering, Mr Hare found himself in a tiled hall, around which was built a staircase in varnished oak. There was a quadrangle, and from three sides the interminable latticed windows looked down on the green sward; on the fourth there was an open corridor, with arches to imitate a cloister. All was strong and barren, and only about the varnished staircase was there any sign of comfort. There a virgin in bright blue stood on a crescent moon; above her the ceiling was panelled in oak, and the banisters, the cocoa nut matting, the bit of stained glass, and the religious prints, suggested a mock air of hieratic dignity. And the room Mr Hare was shown into continued this impression. Cabinets in carved oak harmonised with high-backed chairs glowing with red Utrecht velvet, and a
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