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on was very profuse. Those who had to work a long time lost their appetites, became emaciated, and congestion of the lung and brain was observed. The movements of the limbs were easier than in normal air, though afterward muscular and rheumatic pains were often observed. The peculiar and extraordinary development of the remaining special senses when one of the number is lost has always been a matter of great interest. Deaf people have always been remarkable for their acuteness of vision, touch, and smell. Blind persons, again, almost invariably have the sense of hearing, touch, and what might be called the senses of location and temperature exquisitely developed. This substitution of the senses is but; an example of the great law of compensation which we find throughout nature. Jonston quotes a case in the seventeenth century of a blind man who, it is said, could tell black from white by touch alone; several other instances are mentioned in a chapter entitled "De compensatione naturae monstris facta." It must, however, be held impossible that blind people can thus distinguish colors in any proper sense of the words. Different colored yarns, for example, may have other differences of texture, etc., that would be manifest to the sense of touch. We know of one case in which the different colors were accurately distinguished by a blind girl, but only when located in customary and definite positions. Le Cat speaks of a blind organist, a native of Holland, who still played the organ as well as ever. He could distinguish money by touch, and it is also said that he made himself familiar with colors. He was fond of playing cards, but became such a dangerous opponent, because in shuffling he could tell what cards and hands had been dealt, that he was never allowed to handle any but his own cards. It is not only in those who are congenitally deficient in any of the senses that the remarkable examples of compensation are seen, but sometimes late in life these are developed. The celebrated sculptor, Daniel de Volterre, became blind after he had obtained fame, and notwithstanding the deprivation of his chief sense he could, by touch alone, make a statue in clay after a model. Le Cat also mentions a woman, perfectly deaf, who without any instruction had learned to comprehend anything said to her by the movements of the lips alone. It was not necessary to articulate any sound, but only to give the labial movements. When tried in
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