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of his appearance, and, indeed, his own merits, laid claim to a very particular discussion of his performances: but as we read over the play for that purpose, Mr. M'Kenzie's _Old Norval_ forced itself so imperiously upon our remembrance, that we could not drop the subject without doing justice to that gentleman's performance and our own feelings. It was a specimen of acting and speaking we little expected to meet with: masterly, chaste, and exquisitely affecting; no less gratifying to the critical ear than to the feeling heart. We particularly admired his attestation to heaven of his innocence: As I hope For mercy before the judgment seat of heaven The tender lamb that never nipt the grass Is not more innocent than I of murder. And his pathetic supplication for mercy: Oh, gentle lady! by your lord's dear life, Which these weak hands, I swear, did ne'er assail, And by your children's welfare spare my age! Let not the iron tear my aged joints, And my gray hairs bring to the grave with pain. The first of these he poured forth with an expression of simple sincerity, and the second with a gentle earnestness, so humble, so passionately moving, that none but the most hardened hearts could resist it. Even the gallery felt its force and made the house resound with its rude applause--'twas well; and we may say with Pierre, We could have hugged the greasy rogues; they pleased us. As in the two former passages Mr. M'Kenzie presented a specimen of exquisitely pathetic expression, so he evinced his skill and powers of speaking in that speech which may be called the pride of the play--perhaps of all Scottish poetry too, in which he relates the finding of the child: One stormy night, as I remember well, The wind and rain beat hard upon our roof; Red came the river down, and loud and oft The angry spirit of the water shriek'd, &c. Lord Randolph is a character of which we doubt whether Cooke himself could make any thing. Mr. Warren did all that is usually done for him. Partial as we are to Mr. Wood's acting generally, we did not perceive in his performance of Glenalvon any thing to please us very much, or augment his reputation. In Lady Randolph, Mrs. Barrett would deserve much commendation, if she could get rid of a few faults in her speaking. Her feelings and personal appearance are finely adapted to the character. * * * * *
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