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ded as _'The Head.'_ Your name, Polly, contains the ancient word _'Poll'_ which means _head_." Polly looked at Stetson. "Is he always that sharp?" "Every time," said Stetson. "If you want to go into politics, Lewis," said Polly, "I'd be delighted to--" "I'm already in politics as far as I want to be," growled Orne. "What I really want is to settle down with Di, catch up on some of the living I've missed." Diana stiffened. "I never want to see, hear _from_ or hear _of_ Mr. Lewis Orne ever again!" she said. "That is final, emphatically final!" Orne's shoulders drooped. He turned away, stumbled, and abruptly collapsed full length on the thick carpets. There was a collective gasp behind him. Stetson barked: "Call a doctor! They warned me at the hospital he was still hanging on a thin thread!" There was the sound of Polly's heavy footsteps running toward the hall. "Lew!" It was Diana's voice. She dropped to her knees beside him, soft hands fumbling at his neck, his head. "Turn him over and loosen his collar!" snapped Spencer. "Give him air!" Gently, they turned Orne onto his back. He looked pale, Diana loosed his collar, buried her face against his neck. "Oh, Lew, I'm sorry," she sobbed. "I didn't mean it! Please, Lew ... please don't die! Please!" Orne opened his eyes, looked up at Spencer and Stetson. There was the sound of Polly's voice talking rapidly on the phone in the hall. He could feel Diana's cheek warm against his neck, the dampness of her tears. Slowly, deliberately, Orne winked at the two men. THE END End of Project Gutenberg's Operation Haystack, by Frank Patrick Herbert *** END OF THIS PROJECT GUTENBERG EBOOK OPERATION HAYSTACK *** ***** This file should be named 24721.txt or 24721.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/7/2/24721/ Produced by Greg Weeks, Joel Schlosberg, Bruce Albrecht and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distri
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