Y PAINTERS

VI. NOTABLE ENGLISH PERSONS OF THE REIGN OF CHARLES I.

I. PORTRAIT OF ANNA WAKE

Picture from Carbon Print by Braun, Clement & Co.

II. THE REST IN EGYPT

Picture from Carbon Print by Braun, Clement & Co.

III. THE SO-CALLED PORTRAIT OF RICHARDOT AND HIS SON

Picture from Carbon Print by Braun, Clement & Co.

IV. THE VISION OF ST. ANTHONY

Picture from Photograph by Fratelli Alinari

V. MADAME ANDREAS COLYNS DE NOLE AND HER DAUGHTER

Picture from Photograph by Franz Hanfstaengl

VI. DAEDALUS AND ICARUS

Picture from Carbon Print by Braun, Clement & Co.

VII. PORTRAIT OF CHARLES I.

By Sir Peter Lely after Van Dyck. Picture from Carbon Print by Braun,
Clement & Co.

VIII. THE MADONNA OF ST. ROSALIA

Picture from Carbon Print by Braun, Clement & Co.

IX. CHARLES, PRINCE OF WALES (DETAIL)

Picture from Photograph by D. Anderson

X. ST. MARTIN DIVIDING HIS CLOAK WITH A BEGGAR

Picture from Carbon Print by Braun, Clement & Co.

XI. THE CRUCIFIXION

Picture from Carbon Print by Braun, Clement & Co.

XII. JAMES STUART, DUKE OF LENNOX AND RICHMOND

Picture from Photograph of the original Painting

XIII. CHRIST AND THE PARALYTIC

Picture from Carbon Print by Braun, Clement & Co.

XIV. PHILIP, LORD WHARTON

Picture from Carbon Print by Braun, Clement & Co.

XV. THE LAMENTATION OVER CHRIST

Picture from Carbon Print by Braun, Clement & Co.

XVI. PORTRAIT OF VAN DYCK

PRONOUNCING VOCABULARY OF PROPER NAMES AND FOREIGN WORDS

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INTRODUCTION

I. ON VAN DYCK'S CHARACTER AS AN ARTIST.

The student of Van Dyck's art naturally classifies the painter's works
into four groups, corresponding chronologically to the four successive
periods of his life. There was first the short period of his youth in
Antwerp, when Rubens was the dominating influence upon his work. The
portrait of Van der Geest, in the National Gallery, belongs to this
time.

Then followed the four years' residence in Italy, when he fell under
the spell of Titian. This was the period of the series of splendid
portraits of noble Italian families which are to this day the pride of
Genoa. Here too belong those lovely Madonna pictures which brought
back for a time the golden age of Venetian art.

Upon his return to Antwerp, the six succeeding years gave him the
opportunity to work out his own individuality. Some noble altar-pieces
were produced in these years. Plea